by Yamile Saied Méndez ; illustrated by Kate Alizadeh ‧ RELEASE DATE: May 4, 2021
A sweet read to share with loved ones.
Guided by Abuela, a young child discovers their potential.
“No, what will you reallybe?” a group of friends ask the young narrator in response to their imagining a future as an astronaut, a unicorn, or a clown. Without an answer, the child seeks the help of Abuela, who has been everything “under the Sun and the Moon.” Encouraged by Abuela to listen to their heart, the child quiets down and pays attention until the answers come. The pair then embarks on an exercise of the imagination as the child envisions becoming a builder of homes, a writer and painter of dreams, an explorer of their roots, a farmer of wonder and change, a healer of broken hearts, a student, and a teacher. Abuela accompanies her grandchild on this journey, standing or sitting nearby, at times even lifting up the child. Alizadeh’s scratchy illustrations show the loving relationship between grandmother and grandchild, both depicted as people of color. The beginning endpapers illustrate the studio walls as a blank canvas with limitless opportunities, the back endpapers show those opportunities fulfilled with splashes of color depicting all the things the young narrator can be. Méndez and Alizadeh create a balance between the abstract and concrete by letting the child imagine the future but with Abuela’s guidance and support. (This book was reviewed digitally.)
A sweet read to share with loved ones. (Picture book. 4-8)Pub Date: May 4, 2021
ISBN: 978-0-06-283995-4
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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by Dev Petty ; illustrated by Mike Boldt
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by Dev Petty ; illustrated by Ana Aranda
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