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WHERE ARE YOU FROM?

An ideal vehicle for readers to ponder and discuss their own identities.

After being repeatedly asked variations on “Where are you from?” the narrator finds out that “I’m from here, from today, same as everyone else,” is not an answer that will satisfy those asking. They want to know “where are you really from.”

The child, who has light-brown skin and hair worn in two afro-puffs, turns to Abuelo for help. He in turn “looks inside his heart for an answer.” Lyrical language and luminous illustrations convey his thoughtful response. “You’re from the gaucho, brave and strong.…But you’re also from the warm, blue oceans the copper warriors tried to tame…where our ancestors built a home for all, even when they were in chains because of the color of their skin.” By pointing out the child’s Argentinean and Puerto Rican cultural heritage as well as mixed racial makeup, Abuelo’s answer addresses the multilayered and varied possibilities of a Latinx identity. Ultimately, Abuelo points out, the questioning child comes from his love and that of all those who came before. The question of where someone is “really” from, in the United States, is too often understood as meaning: You look different; you must be from somewhere else. In this case, the illustrations portray a very diverse group of children and adults posing that very question, demonstrating the particular frustrations often experienced by people of mixed race.

An ideal vehicle for readers to ponder and discuss their own identities. (Picture book. 4-8)

Pub Date: June 4, 2019

ISBN: 978-0-06-283993-0

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: March 30, 2019

Kirkus Reviews Issue: April 15, 2019

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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