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SOUND AND SILENCE

MY EXPERIENCE WITH CHINA AND LITERATURE

Yan’s insightful essays show how attempts to control history and society can be countered by memory and imagination.

An acclaimed Chinese author discusses censorship, artistic independence, and the importance of good writing.

Yan Lianke (b. 1958), one of China’s most prolific and imaginative authors, has won global praise for his novels and stories. He is also an outstanding essayist, as this collection—which “arose out of a series of lectures that the author gave during a trip to North America in the spring of 2014”—amply demonstrates. Much of Yan’s fiction has a labyrinthine strangeness to it; in fact, one of the most interesting pieces here is his acceptance speech for the 2014 Franz Kafka Prize. This tone and approach give him the latitude to be critical of government policies without being direct or strident, although much of his output has been censored anyway (he is often described as China’s most censored author). In several of the essays, Yan examines the Chinese government’s suppression of discussion about social traumas and policy failures in favor of relentlessly positive news. The result is a sort of enforced amnesia, and the author notes that the younger generation has little knowledge of the country’s real history. Despite his great concerns and the recurring themes of his novels, he does not like to be seen as an overtly political writer. His desire, he writes, is to produce novels and stories that are well written and meaningful. Despite the age of these pieces, they seem remarkably fresh, timely and relevant, and the texts serve as a solid introduction to Yan’s fiction, as well as a clear-minded commentary on Chinese society and the place of literature within it. The volume includes an introduction by translator Rojas, who has worked with Yan for many years.

Yan’s insightful essays show how attempts to control history and society can be countered by memory and imagination.

Pub Date: April 23, 2024

ISBN: 9781478030393

Page Count: 200

Publisher: Duke Univ.

Review Posted Online: Dec. 15, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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THE MESSAGE

A revelatory meditation on shattering journeys.

Bearing witness to oppression.

Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”

A revelatory meditation on shattering journeys.

Pub Date: Oct. 1, 2024

ISBN: 9780593230381

Page Count: 176

Publisher: One World/Random House

Review Posted Online: Aug. 2, 2024

Kirkus Reviews Issue: Sept. 1, 2024

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BEYOND THE GENDER BINARY

From the Pocket Change Collective series

A fierce, penetrating, and empowering call for change.

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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.

The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.

A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)

Pub Date: June 2, 2020

ISBN: 978-0-593-09465-5

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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