by Yan Lianke ; translated by Carlos Rojas ‧ RELEASE DATE: Dec. 5, 2017
Inspired, one imagines, by the terrible headlines of famine, climate change, and simple uncertainty; Yan draws on the...
Apocalyptic, eerie visions in two novellas by much-honored Chinese writer Yan (The Explosion Chronicles, 2016, etc.).
Imagine: in some near future, after Fukushima has finished pumping its tons of irradiated water into the Pacific, the incidence of hereditary disease skyrockets. So it is in the village where a woman named Fourth Wife You is working the unusually bountiful fields with her four “idiot children,” all born apparently normal and then fading into some sort of penumbra of consciousness, a world of their own that is probably happier than ours. The doctor is no help: “You have four children and all four are idiots,” he says. “You could have eight, and you’d have eight idiots.” Apparently other such diseases have sprouted up, for when a stranger comes into view in Yan’s meaningfully titled novella Marrow, he announces himself as a “wholer,” a touch worse for the wear but still all there. The cure that Fourth Wife You discovers is perhaps worse than the disease itself, as she warns her children from the grave with less a curse than a promise. In the title novella, which would do Friedrich Dürrenmatt proud, drought falls on an already suffering village, eventually driving all but one of the residents into flight. He reasons, “I’m seventy-two years old, and would surely die of exhaustion if I tried to walk for three days. If I’m going to die either way, I’d prefer to die in my own village.” It is up to this Robinson Crusoe to stave off catastrophes that come in the form of spectral wolves and plagues of rats; like Fourth Wife You, the old man—called, indeed, Elder—must sacrifice himself in order to satisfy the mad gods of nature in a world now “so peaceful you could even hear the bright sound of the sunrays knocking against one another and the moonbeams striking the ground.”
Inspired, one imagines, by the terrible headlines of famine, climate change, and simple uncertainty; Yan draws on the conventions of folklore and science fiction alike to produce memorable literature.Pub Date: Dec. 5, 2017
ISBN: 978-0-8021-2665-8
Page Count: 176
Publisher: Black Cat/Grove
Review Posted Online: Sept. 17, 2017
Kirkus Reviews Issue: Oct. 1, 2017
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by Yan Lianke ; translated by Carlos Rojas
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by Yan Lianke ; translated by Carlos Rojas
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by Yan Lianke ; translated by Carlos Rojas
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Chinua Achebe ‧ RELEASE DATE: Jan. 23, 1958
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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