by Yangsook Choi & illustrated by Yangsook Choi ‧ RELEASE DATE: Oct. 11, 2006
Just before Halloween, while looking through his late grandfather’s things, Kimin recalls a time in Korea, when, late at night, he saw his grandfather, his face grotesque and distorted. Now he finds photographs of his grandfather as a professional dancer, as well as his robes and masks, and realizes that he only saw his grandfather in costume. Since Halloween is a time to honor the dead, Kimin decides to dress as his grandfather. He dons the robe and mask and impresses all of the neighborhood children, who don’t recognize him. Tragedy strikes when the mask falls and is damaged, but this leads to Kimin’s discovery of a note from his grandfather. Kimin’s understanding mother helps him realize that his grandfather would not be angry, and together, he and his mother hang all of the masks in the house to commemorate his grandfather. A note about talchum, Korean mask dance, follows the story. A unique look at Halloween, this is a comforting story about death and some of the traditions of Korean culture. (Picture book. 5-8)
Pub Date: Oct. 11, 2006
ISBN: 0-374-30522-6
Page Count: 40
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 2006
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by Andrew Clements & illustrated by R.W. Alley ‧ RELEASE DATE: May 23, 2005
Give this child’s-eye view of a day at the beach with an attentive father high marks for coziness: “When your ball blows across the sand and into the ocean and starts to drift away, your daddy could say, Didn’t I tell you not to play too close to the waves? But he doesn’t. He wades out into the cold water. And he brings your ball back to the beach and plays roll and catch with you.” Alley depicts a moppet and her relaxed-looking dad (to all appearances a single parent) in informally drawn beach and domestic settings: playing together, snuggling up on the sofa and finally hugging each other goodnight. The third-person voice is a bit distancing, but it makes the togetherness less treacly, and Dad’s mix of love and competence is less insulting, to parents and children both, than Douglas Wood’s What Dads Can’t Do (2000), illus by Doug Cushman. (Picture book. 5-7)
Pub Date: May 23, 2005
ISBN: 0-618-00361-4
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Dec. 6, 2022
Sugary uplift, shrink-wrapped for the masses.
An elusive new quarry leads the How To Catch… kids on a merry chase through a natural history museum.
Taking at least a step away from the “hunters versus prey” vibe of previous entries in the popular series, the racially diverse group of young visitors dashes through various museum halls in pursuit of the eponymous dino—whose quest to “spread kindness and joy ’round the world” takes the form of a mildly tumultuous museum tour. In most of Elkerton’s overly sweet, color-saturated scenes, only portions of the Loveosaurus, who is purple and covered with pink hearts, are visible behind exhibits or lumbering off the page. But the children find small enticements left behind, from craft supplies to make cards for endangered species to pictures of smiley faces, candy heart–style personal notes (“You Rock!” “Give Hugs”), and, in the hall of medieval arms and armor, a sign urging them to “Be Honest Be Kind.” The somewhat heavy-handed lesson comes through loud and clear. “There’s a message, he wants us to think,” hints Walstead to clue in more obtuse readers…and concluding scenes of smiling people young and otherwise exchanging hugs and knuckle bumps, holding doors for a wheelchair rider, and dancing through clouds of sparkles indicate that they, at least, have gotten it. (This book was reviewed digitally.)
Sugary uplift, shrink-wrapped for the masses. (Picture book. 5-7)Pub Date: Dec. 6, 2022
ISBN: 9781728268781
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 17, 2023
Kirkus Reviews Issue: Feb. 15, 2023
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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