THE FOX WIFE

The rich Asian tradition of fox folklore provides the backdrop for Choo’s complex and atmospheric tale of identity and discovery set in early 1900s Manchuria.

Snow (later also referred to as Ah San) narrates the story of her search for a shadowy figure—the photographer Bektu Nikan—during the waning days of the Qing dynasty. She crosses Manchuria and travels to Japan in her efforts to locate the man she believes is responsible for the death of her very young daughter. Snow’s slow reveal of her trek and travails is often whimsical or wry and is particularly informative about the habits and practices of the shape-shifting foxes who are believed to appear in human form. Quite reasonably, this knowledge is derived from Snow’s own experiences…as a fox. Running on an eventual collision course is the slowly evolving story of a private investigator, the aging Bao, whose initial assignment is to determine the identity of a woman whose body was found frozen and dead outside a restaurant. As he follows the scant clues in that case, he becomes more and more enmeshed in circumstances that lead him into the orbit of Snow and her growing posse of humans and foxes. (Events in Bao’s early childhood have encouraged his belief in the presence of human-seeming foxes and have also left him with the personally and professionally helpful ability to discern when a lie is being told.) As the circuitous and alternating stories unfold and begin to converge, coincidence and historical events play out. Snow’s difficulties as both a fox and a young woman in a man’s world are clearly drawn, as is the pathos of Bao’s situation as a gentle soul who’s always been in search of something or someone.

An intriguing vulpine mystery worth the suspension of disbelief.