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SWEET UNDOINGS

Lahens’ latest turns its contradictions into the stuff of compelling drama.

This novel, set in Haiti, follows several lives in the wake of an unsettling event.

From the earliest pages of Lahens’ novel, there’s a profound sense of absence. It opens with a letter written by Raymond Berthier, a judge in Port-au-Prince, to his wife. Raymond has taken a stand against corruption, for which he has been threatened. “Naming certain things has become a criminal offense, though the fact that such things exist has not,” he writes—and by the time the novel picks up, Raymond is presumed dead and the novel is now following Cyprien, who is in a relationship with Raymond’s daughter, Brune, a musician. Lahens moves from character to character, some with deep connections to Raymond and others more distanced from him. Raymond’s brother-in-law, Pierre—whom Raymond called “the most solid, the most lucid of us all”—emerges as the center of the book. At one point, Pierre evocatively revisits the recent history of his country: “It was at that exact time that the island began falling apart in their hands. Bit by bit. Like a car abandoned on the side of the road.” There’s also a subplot involving a man named Joubert, characterized by violence and cynicism: “Joubert abruptly takes his gun from beneath the bed and aims it at the TV set. A pain-in-the-ass activist for some obscure cause is talking about victims who deserve justice and reparation.” This is a slow-burning and empathic work. Lahens occasionally shifts the book from third person to first for a passage or two, creating a sense of these disparate lives overlapping in unexpected ways. This is a book in which violence is never far away, but in which there’s also room for hard-earned epiphanies.

Lahens’ latest turns its contradictions into the stuff of compelling drama.

Pub Date: April 11, 2023

ISBN: 9781646052158

Page Count: 228

Publisher: Deep Vellum

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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