Lahens’ latest turns its contradictions into the stuff of compelling drama.
This novel, set in Haiti, follows several lives in the wake of an unsettling event.
From the earliest pages of Lahens’ novel, there’s a profound sense of absence. It opens with a letter written by Raymond Berthier, a judge in Port-au-Prince, to his wife. Raymond has taken a stand against corruption, for which he has been threatened. “Naming certain things has become a criminal offense, though the fact that such things exist has not,” he writes—and by the time the novel picks up, Raymond is presumed dead and the novel is now following Cyprien, who is in a relationship with Raymond’s daughter, Brune, a musician. Lahens moves from character to character, some with deep connections to Raymond and others more distanced from him. Raymond’s brother-in-law, Pierre—whom Raymond called “the most solid, the most lucid of us all”—emerges as the center of the book. At one point, Pierre evocatively revisits the recent history of his country: “It was at that exact time that the island began falling apart in their hands. Bit by bit. Like a car abandoned on the side of the road.” There’s also a subplot involving a man named Joubert, characterized by violence and cynicism: “Joubert abruptly takes his gun from beneath the bed and aims it at the TV set. A pain-in-the-ass activist for some obscure cause is talking about victims who deserve justice and reparation.” This is a slow-burning and empathic work. Lahens occasionally shifts the book from third person to first for a passage or two, creating a sense of these disparate lives overlapping in unexpected ways. This is a book in which violence is never far away, but in which there’s also room for hard-earned epiphanies.
Lahens’ latest turns its contradictions into the stuff of compelling drama.Pub Date: April 11, 2023
ISBN: 9781646052158
Page Count: 228
Publisher: Deep Vellum
Review Posted Online: Feb. 24, 2023
Kirkus Reviews Issue: March 15, 2023
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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