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THE GIRLS AT 17 SWANN STREET

A nuanced portrait of a woman struggling against herself.

A French expat battles anorexia at an in-patient facility in the American Midwest.

The plot of Zgheib’s debut novel is very simple: Anna, a 26-year-old, checks into a treatment facility for anorexia at the behest of her beloved husband, who cannot continue to pretend she is not starving. It was not always like this: Once, Anna was a ballet dancer in Paris, where she and Matthias exuberantly fell in love. But then Anna got injured and stopped dancing, and Matthias took a job in St. Louis, and she followed, and now here she is in Bedroom 5 at 17 Swann St., amid a crew of other women, in varying states of distress. Some of them will get better. Some of them won’t. “You’re one of the lucky ones,” one of the girls tells her, shortly after her arrival. “You have a reason to survive.” This turns out to be true. Over her weeks of treatment—time is demarcated with medical reports, helpfully summarizing her weight and mental state—Anna fights treatment and then surrenders to it. Most of the novel is concerned with the details of her recovery, which are wrenching, in a quiet sort of way: the agony of eating half a bagel with cream cheese; the guilt over what she’s put her family through. We also get flashbacks to her life before illness: childhood walks with her father; eating crepes on her wedding day. There are heavy hints of past traumas—a bad boyfriend; a dead brother and mother; a stagnant dance career—but mercifully, Zgheib doesn't spend much time connecting these too closely to Anna’s current state, an acknowledgment that the disease, like Anna, is complicated. And yet the novel’s greatest strength is its simplicity. There is no unusually dramatic backstory; Matthias is kind and relentlessly loving; Anna is, in all but her Frenchness, unexceptional. It's a story we've read before; it's moving nonetheless.

A nuanced portrait of a woman struggling against herself.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-20244-4

Page Count: 384

Publisher: St. Martin's

Review Posted Online: Nov. 13, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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