Mind-expanding fantasy and SF.
A royal minister in disfavor is ordered to complete a tyrannical queen’s prized project in Barsukov’s fantasy novel.
In an unspecified realm where medieval elements combine with a culture approaching (but not quite reaching) a “steampunk” level of development, Lord Shea Ashcroft is a royal minister who has defied an order by the all-powerful but rarely seen Queen Daelyn to use a gas weapon on protesters. Thus, Ashcroft is demoted to an assignment to ensure completion of Daelyn’s ruinously ambitious legacy project: a soaring tower in Owenbeg, a province bordering on the rival nation of Duma. Though ostensibly a defense against “skyrafts,” the massive edifice seems more an arrogant affirmation of royal power than anything else (its toll, in human and financial terms, triggered the protests in the first place). To keep the structure standing and growing, its chief engineer Brielle has had to resort to accepting aid from the “Drakiri”; these are members of a strange, secretive minority—equipped with advanced, incomprehensible technologies—whose origins are now obscure even to them. Among their most prized pieces of tech are “tulips,” oval devices that can counteract gravity. If not wielded properly, a tulip can cause a drastic implosion, destructively pulling everything in range inward. Brielle’s desperate deployment of tulips throughout the tower leads to catastrophic failures and losses of life—but are these accidents or acts of sabotage? Haunted by the death of his sister Lena in a childhood tulip incident, Ashcroft gets close to a Drakiri woman (coincidentally also called Lena) and learns that a Drakiri superstition predicts the advent of a frightful “Mimic Tower” that will materialize if the tulip-assisted tower of Daelyn continues to persist. Assassination attempts and intrigues at court seed a trail ultimately leading Ashcroft into Duma itself, where the Cold War–like animosity between the two kingdoms takes on literally cosmos-bending proportions.
Readers may be tempted to make analogies between the Drakiri and Jews or Romany people, or to compare the Drakiri devices to the nuclear power plant at Chernobyl, another apocalyptic power grimly unleashed in a Slavic setting. But these analogs only go so far as the narrative reaches a metaphysical denouement that goes outside the realm of conventional reality to explicate the tale’s vagueness regarding time, place, physics, and even the reason that Queen Daelyn’s capital remains nameless. Some of this material was originally released as an award-winning novella, Tower of Mud and Straw (2021). In this volume,Barsukov has added a follow-up, City of Spires, City of Seagulls, forming a whole that answers many of the original narrative’s questions, however cryptically. There are similarities to Stephen King’s epic Dark Tower series (though without anything near the marathon page count) as well as to Ursula K. Le Guin’s Lathe of Heaven (1971) and the work of sibling Russian masters Arkady and Boris Strugatsky. Barsukov’s storyline becomes quite challenging to follow in the narrative’s latter half, in which plot threads diverge to follow Shea, Brielle, and (via rather conveniently recovered diary entries) the Drakiri Lena, but the payoff is worth the effort. The author’s prose is rarely less than lyrical and poetic (“The balcony windows brought in the smells of autumn’s brandy: smoke from the burning leaves, damp earth, the rotting perfume of forgotten things”). Highly recommended for fans of high fantasy and SF wishing to tread in especially exotic territory.
Mind-expanding fantasy and SF.Pub Date: Nov. 12, 2024
ISBN: 9781647101367
Page Count: 300
Publisher: Caezik SF & Fantasy
Review Posted Online: Oct. 24, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
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