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WHERE IS MAMA?

Name: WHERE IS MAMA?
Author: Yating Hung
ISBN: 978-1-4197-0718-6

A POP-UP STORY

by Yating Hung ; illustrated by Yating Hung ‧ RELEASE DATE: April 9, 2013

A miniodyssey, familiar but elemental, and played out amid plenty of smiles and pop-ups.

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An aquatic take on the ever-popular “Are you my mother?” plotline, weak in the natural-history department but fully cozy.

After Mama Frog lays her eggs in some “seaweed” she finds in her pond and goes off to find a lily pad for a home, five big-eyed tadpoles hatch and go in search of her. As they don’t know what she looks like, they accost Mama Duck, Mama Fish, Mama Crab and others. All of these mothers, rather than eat the tadpoles as many would do in real life, indulgently send them along with different descriptions of their real mama. Working with a palette of harmonious greens and grays, Hung crafts serene-looking pondscapes that open with tabs and lifted flaps into spacious, layered tableaux. When Mama Frog’s ribbits lead at last to a joyful meeting, her offspring’s first question is not, considering the storyline, the natural one about why they don’t look anything like her. Instead, they ask her to teach them her froggy song. She promises that once they do change to frogs, “we will sing ‘ribbit, ribbit’ together, all day and night!”

A miniodyssey, familiar but elemental, and played out amid plenty of smiles and pop-ups. (Pop-up/picture book. 3-5)

Pub Date: April 9, 2013

ISBN: 978-1-4197-0718-6

Page Count: 24

Publisher: Abrams Appleseed

Review Posted Online: Sept. 24, 2013

Kirkus Reviews Issue: Dec. 1, 2013

Categories:

CHILDREN'S ANIMALS | CHILDREN'S FAMILY

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YOUR BABY'S FIRST WORD WILL BE DADA

by Jimmy Fallon ; illustrated by Miguel Ordóñez ‧ RELEASE DATE: June 9, 2015

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

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A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S FAMILY

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I NEED A HUG

by Aaron Blabey ; illustrated by Aaron Blabey ‧ RELEASE DATE: Jan. 29, 2019

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

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A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)