Horrifying yet mesmerizing: the authors never overplay a potentially melodramatic hand, and no reader will fail to admire...
The true story of seven dwarves, a family of performers who survived the Holocaust.
The Ovitzes were one of only two families whose members all returned from Auschwitz, and to call that remarkable hardly does justice to their saga, related by Israeli journalists Koren and Negev in a number of different tones. It starts with the musicality of a fairy tale, recounting the life of Shimshon Eizik Ovitz, a dwarf born in 1868 to Jewish parents in Transylvania. Shimshon became a Badchan: “a merrymaker, a colorful, virtually indispensable figure at wedding festivals,” the authors explain, purveyor of “drollery, riddles, and anecdotes.” Of his ten children from two wives, seven were dwarves. Nine of them joined together in a vaudeville act called the Lilliput Troupe, expanding on their father’s repertoire to include love songs and local hits, broad jokes and comic scenes. In 1944 the family was shipped to Auschwitz. The narrative’s tone takes an emotional nosedive as the authors chronicle month by month the Ovitzes’ experiences in the camp, where they were taken under Dr. Josef Mengele’s protective wing (an oxymoronic phrase if ever there was one). Mengele considered the Ovitzes a eugenic gold mine: “Their desirability lay in their number and in their anomaly as an entire family.” They were abused and degraded, but they were also housed in one of the “family camps,” showcases for the Red Cross. They surrendered buckets of blood to Mengele, but each and every one survived, and here the story takes a more upbeat tone. After returning to an unfriendly Hungary, the Ovitzes traveled together, ultimately to Israel, where they resumed their careers and made a success despite the Yiddish character of their act “in a land where Yiddish was frowned upon, where the old culture was scorned and the folk traditions banished.” They were survivors all over again.
Horrifying yet mesmerizing: the authors never overplay a potentially melodramatic hand, and no reader will fail to admire the Ovitzes. (16 pp. b&w photos, not seen)Pub Date: July 1, 2004
ISBN: 0-7867-1365-8
Page Count: 320
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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