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A DOOR BEHIND A DOOR

Moskovich offers her readers little insight into either her characters or plot, and the result is frequently alienating.

A stabbing sets off a mysterious chain of events.

When Olga was a baby in the Soviet Union, a boy from her apartment building went up to the sixth floor and stabbed an older woman three times. Now Olga is all grown up and living in Milwaukee with her girlfriend, Angelina. Then, suddenly, Nikolai Neschastlivyi—the stabber—starts calling her phone in the middle of the night. Despite all these details, though, it’s hard to say what Moskovich’s latest novel is actually about. Nothing here is straightforward or linear. The prose appears in short bursts, each one topped by an all-caps header and most no more than a few sentences in length. One is titled “YEARS PASSED.” The text that follows: “I forgot all about Nikolai from floor five.” The next header reads: “AND THE OLD LADY WHO GOT STABBED?” followed by: “What was her life, lived with such precise values, against ours, unfolding into daylight like a corn being husked.” The effect of all these flashes and bursts of prose is rather like that of a pane of glass that has shattered onto the floor. Individually, the shards are slick and sharp, but taken together, it’s hard to know what to make of them. There’s a diner in this book, and a waitress named Lisette, and then somehow Olga is in jail with someone named Tanya, and then, finally, the first-person narration is taken over by a dog. How these details connect to each other is anyone’s guess. Olga’s brother stabs Tanya, but does this actually happen, or is it a dream? And if it happened, when did it happen? And why? Moskovich doesn’t give us anything to go on, and that makes it hard, in the end, to feel much of anything for these characters—including a sense of humor.

Moskovich offers her readers little insight into either her characters or plot, and the result is frequently alienating.

Pub Date: May 18, 2021

ISBN: 978-1-953387-02-8

Page Count: 188

Publisher: Two Dollar Radio

Review Posted Online: Jan. 26, 2021

Kirkus Reviews Issue: Feb. 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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