A passionate ode to a pioneering female artist whose influence endures and inspires.
An artist finds kinship in the life and work of American painter Florine Stettheimer (1871-1944).
A light-skinned young child who comes across Florine’s self-portrait in a museum is startled to discover that the artist resembles her. The child explores the parallels between their lives as artistic Jewish girls and ultimately commits to embracing Florine’s vibrant spirit. If she could throw a party for Florine, she would serve “blue pancakes,” and the two would “paint and dance and write poetry!” Stepping outside, the child adopts Florine’s perspective: “The world around me is full of color and full of surprise.” Nayberg succinctly shares the usual biographical details, including important dates, family, training—information that can be supplemented by her comprehensive author’s note. But it’s the author’s obvious reverence for Florine that gives this retrospective an unexpected intimacy. Lyrical lines describe Florine’s art, with its “skinny cats’’ and “tilted buildings growing like trees,” as well as her glamorous New York City life of poetry and parties (“lounging around in white silk pants!” with the likes of Marcel Duchamp). Illustrated in dynamic, mostly primary colors that mirror Florine’s customary palettes, Nayberg’s images of oversize flowers, flying people, and jazz-filled salons are ebullient, flamboyant even. Florine’s four-part Cathedrals of New York series on the endpapers, plus a reproduced self-portrait in the backmatter, gives readers an excellent sense of her work.
A passionate ode to a pioneering female artist whose influence endures and inspires. (Informational picture book. 5-10)Pub Date: July 16, 2024
ISBN: 9780823454105
Page Count: 40
Publisher: Neal Porter/Holiday House
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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