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WHAT'S THE WORST THAT COULD HAPPEN?

A sympathetic protagonist finds common ground with a diverse group of friends.

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A shy but imaginative girl struggles to make friends until she overcomes her fears in Daniel-Ayoade’s picture book, illustrated by newcomer Logina.

Third grader Kayla sits alone every lunch period. She wants to approach Naomi, Samantha, and Bianca to ask whether she can sit with them, but she’s afraid; her shyness makes her hold back. She thinks of her grandmother’s advice: “Face your fear, Kayla. What’s the worst that could happen?” Unfortunately, Kayla’s imagination is so vivid, she can come up with a lot of horrible results. She sits alone, and later, she avoids finding a partner in gym by hiding in the bathroom. At home, Kayla confesses to her brother, Eric, that she’s been avoiding her schoolmates because she fears what might happen: “Eric grunted a reply. He had autism and didn’t speak, but she knew he meant to say, ‘I know how you feel. Next time, take a deep breath and try to stay calm.’ ” The next day, when Naomi hands Kayla a party invitation, Kayla breathes deeply and accepts. At the party, Kayla soon forgets to feel shy and—with the encouragement of her new friend and an incentive to win a gift for her brother—finds the courage to sing for the guests. Some pages have just a couple of lines of text and others 10 or more, but Daniel-Ayoade’s straightforward narrative is inviting, even in the more text-dense pages. The open-ended titular question is answered in Kayla’s own imaginings, depicted in Logina’s soft-edged cartoonlike illustrations. While Kayla’s fears of being mocked are understandable, her imagined consequences finally become so ridiculous, as comically depicted by Logina, that readers will laugh along with her. Kayla and another girl have different shades of brown skin and curly hair, a third girl is pale and blonde, and Naomi is depicted as Asian American, but the text doesn’t call attention to the cast’s ethnicities (beyond giving Naomi the surname “Lau,” a variant on the Chinese “Liu”), making their differences feel natural.

A sympathetic protagonist finds common ground with a diverse group of friends.

Pub Date: Feb. 2, 2020

ISBN: 978-1-77701-355-4

Page Count: 32

Publisher: Jewels & Pearls Publishing Ltd.

Review Posted Online: Feb. 21, 2020

Kirkus Reviews Issue: May 1, 2020

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DON'T LET THE PIGEON DRIVE THE SLEIGH!

A stocking stuffer par excellence, just right for dishing up with milk and cookies.

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Pigeon finds something better to drive than some old bus.

This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”

A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)

Pub Date: Sept. 5, 2023

ISBN: 9781454952770

Page Count: 40

Publisher: Union Square Kids

Review Posted Online: Sept. 12, 2023

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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