by Yewande Daniel-Ayoade ; illustrated by Renate Logina ‧ RELEASE DATE: Feb. 2, 2020
A sympathetic protagonist finds common ground with a diverse group of friends.
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A shy but imaginative girl struggles to make friends until she overcomes her fears in Daniel-Ayoade’s picture book, illustrated by newcomer Logina.
Third grader Kayla sits alone every lunch period. She wants to approach Naomi, Samantha, and Bianca to ask whether she can sit with them, but she’s afraid; her shyness makes her hold back. She thinks of her grandmother’s advice: “Face your fear, Kayla. What’s the worst that could happen?” Unfortunately, Kayla’s imagination is so vivid, she can come up with a lot of horrible results. She sits alone, and later, she avoids finding a partner in gym by hiding in the bathroom. At home, Kayla confesses to her brother, Eric, that she’s been avoiding her schoolmates because she fears what might happen: “Eric grunted a reply. He had autism and didn’t speak, but she knew he meant to say, ‘I know how you feel. Next time, take a deep breath and try to stay calm.’ ” The next day, when Naomi hands Kayla a party invitation, Kayla breathes deeply and accepts. At the party, Kayla soon forgets to feel shy and—with the encouragement of her new friend and an incentive to win a gift for her brother—finds the courage to sing for the guests. Some pages have just a couple of lines of text and others 10 or more, but Daniel-Ayoade’s straightforward narrative is inviting, even in the more text-dense pages. The open-ended titular question is answered in Kayla’s own imaginings, depicted in Logina’s soft-edged cartoonlike illustrations. While Kayla’s fears of being mocked are understandable, her imagined consequences finally become so ridiculous, as comically depicted by Logina, that readers will laugh along with her. Kayla and another girl have different shades of brown skin and curly hair, a third girl is pale and blonde, and Naomi is depicted as Asian American, but the text doesn’t call attention to the cast’s ethnicities (beyond giving Naomi the surname “Lau,” a variant on the Chinese “Liu”), making their differences feel natural.
A sympathetic protagonist finds common ground with a diverse group of friends.Pub Date: Feb. 2, 2020
ISBN: 978-1-77701-355-4
Page Count: 32
Publisher: Jewels & Pearls Publishing Ltd.
Review Posted Online: Feb. 21, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
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BOOK REVIEW
by Yewande Daniel-Ayoade ; illustrated by Ken Daley
by James Dean ; illustrated by James Dean ‧ RELEASE DATE: Sept. 18, 2018
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
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by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Feb. 1, 2017
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
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