A delicious mashup of fairy tales and food.
In this fractured fairy tale, Compestine imagines the origins of a famous dish.
Ra Pu Zel is an assertive, independent Chinese princess who loves to cook. She’s constantly scolded for failing to be a proper lady until one day she’s finally had enough and locks herself in her tower; using her long braid, she pulls up baskets of food from her mother. As she cultivates her hobbies, the delicious smells and lovely music that float out into the kingdom attract suitors from near and far. The emperor decrees that the first person who can draw the princess out of the tower will receive his marriage blessing. It isn’t until a young chef arrives, pushing a cart that emits a horrible stench, that Pu Zel is finally lured out. The chef’s stinky tofu—a delicacy in his hometown—wins her heart, and the dish goes on to become one of the most renowned in China. Kung’s digital artwork is reminiscent of Chinese watercolor paintings, though with a modern sensibility and cinematic eye. The colorful, expressively detailed depictions of the princess’ attempts to conform to expectations are a hoot, and her joy in being her best self in her tower is palpable. In the backmatter, Compestine explains that this story is “strictly from my own imagination” and includes a recipe for (non-stinky) tofu.
A delicious mashup of fairy tales and food. (Picture book. 4-8)Pub Date: Jan. 2, 2024
ISBN: 9780593533055
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Deeply familiar but infused with 21st-century smarts; expect cries for repeated reads.
Two acclaimed creators retell a fairy-tale classic.
Employing a conversational style, Barnett offers a fresh and immensely entertaining take on an old story, much as he did with The Three Billy Goats Gruff, illustrated by Jon Klassen (2022). A miller (“a nice enough guy, but he had a big mouth”) encounters the king and, seeking to impress him, falsely claims that his daughter can spin straw into gold. What follows is the classic story, replete with spinning wheels and small men who make clandestine deals with the desperate for their offspring. While never diverging from the original, Barnett nevertheless allows his miller’s daughter, if not a name (on purpose, it turns out), then hobbies like “whittling sticks and catching tadpoles with her bare hands.” This miller’s daughter is still caught in the machinations of the men around her, but Barnett demonstrates that her love of the woods is key to her defeating Rumpelstiltskin. His sly retelling is perfectly complemented by art that at times resembles classical portraiture. Ellis also harkens back to fairy-tale images of yore with both lushly illustrated gouache pictures and small interstitial black-and-white spot art. Characters present white.
Deeply familiar but infused with 21st-century smarts; expect cries for repeated reads. (Picture book. 4-7)Pub Date: Feb. 3, 2026
ISBN: 9781338673852
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: Oct. 10, 2025
Kirkus Reviews Issue: Nov. 15, 2025
PERSPECTIVES
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