THE THIRD TEMPLE

In Israeli writer Sarid’s latest novel, an extremist form of Zionist Judaism takes hold in near-future Israel, leading to its downfall.

Jonathan is the third son of a priestly royal family. He is in Israel, but it is an Israel post-“Evaporation.” A right-wing, religious, Jewish supremacist movement has wiped out the “Amalekites” and their mosques, and the ancient Temple has been resurrected for its third iteration, restoring Jewish life to the period of high priests and sacrifices and inner sanctums. As our narrator sits in prison on the brink of his fate, after the monarchy has collapsed, the conditions that led to this moment unfold through his reflections. Through his chronicles, we gain a fuller picture of his individual struggles, which in the hands of a lesser writer might be overshadowed by the dramatic stakes of the novel’s sociopolitical landscape; thankfully, Sarid is as attuned to psychodramas as he is to sociopolitical conflicts. We learn about an injury as a result of a terrorist attack during his childhood that rendered him impotent. We learn of his romantic yearnings and disappointments. We learn of the biblical visions that haunt him. All the while, the fate of Israel hangs in the balance. As in all good dystopian novels, The Third Temple’s hyperboles hold up a mirror to reality, forcing us to reflect on which parts of our current world have begun to resemble art more than life. Though the novel was published in Hebrew nearly ten years ago, it is prescient at this moment, serving as a warning about extremism that should ring an alarm for anyone concerned about the situation of the current Israeli state. This propulsive, cerebral novel shines in Yardenne Greenspan’s lucid and skillful translation. Just as impressive as the novel’s thematic boldness is its deep and broad fluency in Jewish history, religion, literature, and traditions.

A cautionary tale of biblical proportions that reads like a parable, or a prophecy.