A sensitive portrait of a wounded woman.
A mother grapples with her daughter's death.
As in her last novel, Where Reasons End (2019), written shortly after her son killed himself, Li, winner of multiple literary awards, again imagines the effect of a child’s suicide, this time, on Lilia Liska, widowed 3 times, who has raised 5 children and the child of her dead daughter, Lucy, who killed herself at age 27, two months after giving birth. Now living in a senior facility where she treats other residents with cold condescension, Lilia devotes herself to reading and annotating the voluminous diaries of Roland Bouley, her former lover, an urbane older man she met when she was 16. Pregnant—with Lucy—from their first encounter, having seen him only 4 times afterward, she has become increasingly obsessed with him over the past several years after acquiring his diaries through the efforts of a local librarian: If she could understand him, she thinks, she might understand their emotionally volatile child. Roland, charming as he was, became a desultory, often self-absorbed bookseller who, Lilia suspects, “revised his diaries for dramatic effect” and “wore his lies like tailored suits.” He recounts, in sometimes repetitious detail, assorted lovers and two long-lasting attachments: with a worldly older woman, a forgotten poet who, like Lilia, had lost a child; and with his coolly elegant, self-possessed wife. As much as Lilia insists on her desire to memorialize Roland and to leave his annotated diaries to Lucy’s daughter, her real project is keeping Lucy alive. “I haven’t stopped arguing with Lucy for thirty-seven years,” she writes; “everything in my life is a part of that long argument with Lucy.” Although priding herself on her independence and hardness, her reflections reveal abiding grief, loneliness, and regret, which she refuses to confront. Regrets, she remarks, “are like weeds. You kill them before they grow and spread. Willpower is the strongest weed killer.” Lilia’s bitterness masks vulnerability that too rarely emerges from Li’s restrained narrative.
A sensitive portrait of a wounded woman.Pub Date: July 28, 2020
ISBN: 978-0-399-58912-6
Page Count: 368
Publisher: Random House
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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