A well-crafted, timely response to the myriad anxieties of navigating life in 2023.
Ola Olajide, a feminist journalist in London, is preparing for her wedding to Michael Koranteng, a podcaster who’s just landed his dream job, when his name appears on a list of abusers in the media industry.
Deeply in love, Ola and Michael find their lives turned upside down when a document known as The List is released on Twitter. Michael has been accused of “harassment and threatening behavior/Physical assault at office Christmas party,” followed by “ ‘Restraining order’ in brackets,” alongside a football legend accused of homophobia and a musician accused of rape. Ola is torn between her instinct to believe women and her disbelief that Michael could be guilty. Michael, who professes his innocence, obsessively combs through his romantic and sexual past trying to understand who his accuser could be, resulting in his rapidly declining mental health. With a relentless pace, the countdown to the wedding urges the reader onto the next chapter, then the next. As the story alternates between Ola’s and Michael’s perspectives, the release of The List prompts a series of events that quickly evade either character’s control. The insidious misogyny of the media world Ola and Michael orbit will be instantly recognizable to readers following the revelations of the #MeToo movement, and Adegoke also skewers the corporate Insta-feminism represented by Ola’s boss with ferocious accuracy. At the same time, she explores the real-world ramifications of an internet culture that lets people freely and anonymously accuse others. The List haunts Ola, forcing her to consider whether she’ll ever be able to trust Michael again, whether her career—built on calling out injustice—can survive her affiliation with an accused man. This is a book that forces the reader to consider the lengths to which they’d go to salvage their reputation—and protect their loved ones.
A well-crafted, timely response to the myriad anxieties of navigating life in 2023.Pub Date: Oct. 3, 2023
ISBN: 9780063274877
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 26, 2023
Kirkus Reviews Issue: Sept. 15, 2023
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
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SEEN & HEARD
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