A badly translated and misogynistic sci-fi relic.
A surreal dystopian tale originally published in the 1970s is the Japanese author's first novel to be translated into English.
In the distant future, humankind has traveled to the furthest reaches of space, while civilization on Earth has regressed to a medievallike religious state. A student known only as K travels to the capital to sit for the Sacred Service Examination, a series of tests that will place him in a job inside the court of the Igitur, the papal government. To his surprise, he’s assigned to the enigmatic Planet Bosch Research Department. No one seems to know much about it, and the mystery only deepens as he begins his seemingly endless research. K starts delving into the secrets of the Igitur and of executed heretic Darko Dachilko, his connection to Planet Bosch, and even his connection to K. The story grows increasingly surreal and dreamlike, culminating in K’s arrival on the verdant Planet Bosch. Unfortunately, the book suffers from an artless translation, leading to tortured sentences such as: “ ‘That’s right,’ K says, his mouth full from the food his hands ply into it.” Worse still, the story highlights some of the worst tendencies of 1970s science fiction. The current convention offers organic worldbuilding which (ideally) unfolds with the story, but in this book, no facet of the fictional world goes unexplained, often through rambling conversations or long, quoted passages from in-universe books. Sex is thrown in randomly for no apparent reason, as when a beggar woman breast-feeds a starving K in an alarmingly erotic fashion. Not even inanimate objects are immune—a rocket is described as being “like a giant phallus ready to violate the heavens.” But Aramaki's treatment of female characters borders on abhorrent. Some are human, while others are clones or androids, but the only purpose any of them serve is to have sex with the male characters. In a particularly distasteful scene, a woman tearfully tells of having been repeatedly raped by multiple men from the age of 13 onward and, while still sobbing, is made to admit that she enjoyed it. By the next scene, she’s dead, and she’s rarely mentioned again.
A badly translated and misogynistic sci-fi relic.Pub Date: June 13, 2017
ISBN: 978-1-101-62006-9
Page Count: 240
Publisher: Univ. of Minnesota
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
