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RED DUST

No real thematic punch but a fast, furious, and genuinely fun read.

The latest novel by acclaimed Cuban writer Yoss is a quirky blend of science fiction and hard-boiled mystery that follows a robotic police officer as he attempts to catch an infamous criminal—and save humankind in the process.

A thinly veiled homage to Raymond Chandler, the novel’s main character is a humanoid robot named Raymond, after his favorite writer, whose main character he emulates by wearing a trench coat and broad-brimmed hat. A police officer working on the William S. Burroughs trading station—which orbits around Titan and is the only station in the solar system where humans can make intergalactic deals with aliens—Raymond finds his mundane existence turned upside down when a wanted alien escapes his bounty-hunter captors while on the station. The criminal, Makrow 34, has unparalleled psionic powers and kills another alien while fleeing. Raymond’s bosses—the Galactic Trade Confederation—want the potentially volatile situation resolved as quickly as possible and tell the positronic police officer to apprehend Makrow 34 before he leaves the system. After asking himself “What Philip Marlowe would do,” Raymond enlists the help of a human with similar psionic abilities who's currently imprisoned on the station, and together the unlikely duo set out on a highly dangerous escapade. The trench coat–wearing robotic detective makes for an appealing and at times comedic protagonist, and Yoss’ clear and focused writing style keeps the reader turning pages throughout. But while the worldbuilding is exceptional in some parts (an independently owned space station held together by superglue and staples, for example), the characters never rise above two-dimensionality. The narrative, however, is action-packed—literally jumping from one adventure to another—and the conclusion’s highly satisfying.

No real thematic punch but a fast, furious, and genuinely fun read.

Pub Date: Sept. 8, 2020

ISBN: 978-1-63206-246-8

Page Count: 208

Publisher: Restless Books

Review Posted Online: June 2, 2020

Kirkus Reviews Issue: June 15, 2020

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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