by Yu Hua & translated by Allan H. Barr ‧ RELEASE DATE: Oct. 9, 2007
A grainy montage of suffering and survival, by turns morbid and mordant.
Now in English translation, the 1991 novel by bestselling Chinese author Yu Hua (To Live, 2003).
Yu’s first full-length work—actually, a serpentine, episodic collection of anecdotes forming a kind of Maoist-era kinderscenen—details the boyhood of Sun Guanglin and his encounters with some dreadfully unfortunate (or just plain dreadful) people in two Chinese rural villages—the discordantly Midwestern-sounding “Southgate” and “Littlemarsh.” Guanglin’s father, Kwangtsai, beats him, tries unsuccessfully to capitalize on youngest son Guangming’s death by drowning and molests both women in elder son Guangping’s life. Kwangtsai cavorts with the nymphomaniac widow next door, giving her his wife’s household goods, then starves his own father and ultimately drinks himself to death. Guanglin’s Littlemarsh adoptive parents, to whom he’s farmed out at age six, turn him into a household servant and entrust his education to sadistic teachers. The foster father dies spectacularly (suicide by grenade) after blowing up the apartment of the woman who exposed his extra-marital affair. Alone once more, Guanglin, now 12, borrows the fare from another unwanted child, his friend Guoqing, and returns home to where the story began: Kwangtsai’s cottage is engulfed in flames. Flashbacks reveal that Guanglin’s grandfather, Sun Youyuan, fled the Japanese invasion and rescued a former aristocrat and fellow refugee, Guanglin’s grandmother, who was turned out of her mandarin home because she happened to glimpse two sparrows mating. Youyuan saves the rice harvest by urging Southgate residents to toss out their Buddha figurines, but then dies, convinced his soul has already departed. Guanglin’s friends are equally doomed: Schoolmate Su Yu, after doing time in reform school for embracing a girl, dies of a brain hemorrhage while his family follow their morning routine, assuming Yu is sleeping late. Guoqing, whose father abruptly remarried, leaving the nine-year-old with a spooky old lady, prospers from subsidies from other relatives but at 13 is arrested for attacking a family who won’t let him court their daughter.
A grainy montage of suffering and survival, by turns morbid and mordant.Pub Date: Oct. 9, 2007
ISBN: 978-0-307-27999-6
Page Count: 288
Publisher: Anchor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
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by Yu Hua ; translated by Allan H. Barr
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by Yu Hua translated by Allan H. Barr
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by Yu Hua and translated by Eileen Cheng-yin Chow and Carlos Rojas
by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
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by Donna Tartt
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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by George Orwell & edited by Peter Davison
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