A rich, engrossing tale that manages to be both concise and expansive.
A sexually charged graphic novel tracing a woman’s desperate attempts to ascend beyond the strict confines of 16th-century Dutch society.
Amélie comes from a noble family that has fallen on hard times, which is how she came to be in a miserable marriage to simple merchant Hans. While her frugal and pragmatic husband spends most of his time in his library or at his raucous merchant’s guild, Amélie grudgingly tends to the domestic chores expected of her—including the servicing of Hans’ carnal needs. Privately, she indulges her obsession with the mechanics of flight by studying the skeletons of flying creatures (an interest Hans equates to witchcraft). Amélie longs to escape the world of men, and she gets a taste when Hans sails for Lisbon on business. Amélie spends months unmolested and creates a simple flying machine. But both the machine and her freedom crash back to earth when Hans eventually returns—with a mistress in tow. “Sahara” is an enslaved Asian woman Hans claims to have saved from a fate as a “mere harlot,” though the reality proves more selfish and savage. As everything the devout and reserved Amélie is not—passionate, hedonistic, self-assured, and satisfied—Sahara initially receives Amélie’s resentment. But Amélie finds her thoughts drifting to Sahara’s voluptuous body and unguarded manner. The two gradually learn from each other and achieve a breakthrough in Amélie’s quest for flight. But the increasingly destitute Hans co-opts their flying machine for his business interests, and the hubris of men threatens to finally suffocate Amélie. Yudori’s tale is as captivating as it is titillating, with her illustrations elegantly depicting everything from complex emotions to the erotic contours of the female form. The plot and characters are engagingly complex, and the pacing deliciously brisk.
A rich, engrossing tale that manages to be both concise and expansive.Pub Date: May 27, 2025
ISBN: 9798875001062
Page Count: 364
Publisher: Fantagraphics Books
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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