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PEN AMERICA BEST DEBUT SHORT STORIES 2018

A pleasure for fans of short fiction and a promise of good things to come from this year’s roster of prizewinners.

Sophomore volume in a recently inaugurated PEN series honoring debut short fiction published in print or online.

As selected by three judges, including 2017 Kirkus Prize winner Lesley Nneka Arimah, these dozen stories tend to the dark side, with rare moments of humor in a moody fictive landscape; they’re thus just right for their time. In the opening story, “Six Months,” Celeste Mohammed brilliantly captures the confusions faced and moral shortcuts taken by a Caribbean immigrant to New York, who lives in a ratty basement but at least is in America: “That’s the only damn thing that matter.” Faced with an embarrassment of riches of a kind, Luther has to keep an elaborate set of lies straight in his head, but he’s up to the challenge: “Don’t be lucky and coward, Luther. Go brave.” He’s not a bad man, but he’s not very good, either. The same is true of Shutian, a Taiwanese man whose decadeslong life with his wife, Mayling, is lived out in just a few pages in Lin King’s aptly titled story “Appetite”; his great sin is to be inert and boring, moving Mayling to escape, in part by way of guitar lessons with a man destined to become well-known, then forgotten again, as the decades pass. The story is a masterpiece of compression, squeezing whole decades into paragraphs. One comparatively light piece centers on a theme-park Hercules who is confronted by a tot who blurts out the fact that his father dresses up in his mother's clothes when she's not home: “And in this moment,” Hercules thinks, “the only thing running through my mind is, I’ll be damned, that binder doesn’t cover everything after all.” A particularly successful story is a kind of sci-fi/horror pastiche called, fittingly, “Zombie Horror,” and though its editor is quick to claim it as literary fiction, it benefits from a little genre goofiness.

A pleasure for fans of short fiction and a promise of good things to come from this year’s roster of prizewinners.

Pub Date: Aug. 21, 2018

ISBN: 978-1-936787-93-7

Page Count: 224

Publisher: Catapult

Review Posted Online: May 27, 2018

Kirkus Reviews Issue: June 15, 2018

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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