For readers who like romances threaded with operatic sorrow.
A bond that starts with a tragic death transforms into love.
Grant Shepard and Helen Zhang have a history—when they were in high school, he was driving the SUV her younger sister darted in front of, ending her life. When, 13 years later, they meet at a Hollywood studio that’s adapting Helen’s YA novels for television, their unresolved grief means a minefield of painful interactions. Helen has been ignoring her complex feelings of anger, sadness, and guilt, while Grant has struggled with anxiety even as he’s continued to be the popular guy in every circle. Despite her prickly armor and his polite facade in the writers’ room where they’re both working, the extended intimacy of the project forces them past the chasm of their past and into a new chemistry in the present. But Helen’s parents would never accept a relationship between them—would they? In her debut romance novel, screenwriter and director Kuang starts with high stakes. Helen’s absent sister and her family’s trauma loom over the sunny California setting, amplified by the protagonists’ individual visits to their New Jersey hometown. Though leaning slightly into commonplace images of Chinese American parents, Kuang avoids cliches about second-generation immigrants in her depiction of Helen. The potential end of Grant and Helen’s fiery sexual liaison gives the book the feel of a ticking clock, with Kuang coloring all their interactions with a sadness that signals the third-act breakup often found in the novels of Emily Henry (which Kuang is adapting for the screen).
For readers who like romances threaded with operatic sorrow.Pub Date: April 9, 2024
ISBN: 9780063310681
Page Count: 384
Publisher: Avon/HarperCollins
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
A surprisingly sensual sports romance.
A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.
Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.
A surprisingly sensual sports romance.Pub Date: Feb. 4, 2025
ISBN: 9780593641057
Page Count: 464
Publisher: Berkley
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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