A remarkably beautiful story of the agony of loss and injustice.
Yun-Yun’s novel, based on true events, tells the story of a boat accident, as seen through the eyes of one victim’s sibling.
On April 16, 2014, the ferry MV Sewol capsized off the coast of South Korea, resulting in the deaths of more than 300 passengers, including 250 students and 11 teachers on a high school field trip. False reports that the passengers and crew had been rescued, and the lateness of the South Korean coast guard’s rescue efforts, led to a national outcry. This real-life tragedy is the backdrop for this novel, in which 24-year-old Park Yun-young reels from the loss of her 29-year-old sister, Mi-na, whom she calls Unnie (“older sister” in Korean), a teacher who died aboard the Sewol. The story begins with Yun-young retracing the steps that Unnie took in life—revisiting the school she attended, her dormitory, and the cubicle where she tirelessly studied to pass the national exam required to become an educator. At each stop, Yun-young crosses paths with people who knew her sister or who also had a loved one on the Sewol. Shifting back and forth between the present day and memories of Unnie, the narration has a dreamlike quality that heightens its sense of bittersweet nostalgia. Along the way, the author slowly reveals the timeline of events immediately prior to, during, and after the disaster. In one notable scene, months after the ferry’s sinking, Unnie’s suitcase is recovered from the muddy waters, and Yun-young and her family gather in their living room to open it and sift through its contents. Lifting the silt-soaked clothes out, piece by piece, Yun-young’s mother runs to fill a basin with water and stomps the mud out of Mi-na’s possessions, as if to rinse the horror from her daughter’s memory: “Yun-young can hear Mom’s muffled screams as she yells for the dirt to get off, to get off Unnie. The water sloshes for a long time.” The poetic force of the prose enhances the interplay between the past and present, blending them into a familiar, nonlinear pattern of grief.
A remarkably beautiful story of the agony of loss and injustice.Pub Date: April 11, 2024
ISBN: 9791198565105
Page Count: 212
Publisher: Libre Books
Review Posted Online: Feb. 19, 2024
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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