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UNNIE by Yun-Yun

UNNIE

by Yun-Yun

Pub Date: April 11th, 2024
ISBN: 9791198565105
Publisher: Libre Books

Yun-Yun’s novel, based on true events, tells the story of a boat accident, as seen through the eyes of one victim’s sibling.

On April 16, 2014, the ferry MV Sewol capsized off the coast of South Korea, resulting in the deaths of more than 300 passengers, including 250 students and 11 teachers on a high school field trip. False reports that the passengers and crew had been rescued, and the lateness of the South Korean coast guard’s rescue efforts, led to a national outcry. This real-life tragedy is the backdrop for this novel, in which 24-year-old Park Yun-young reels from the loss of her 29-year-old sister, Mi-na, whom she calls Unnie (“older sister” in Korean), a teacher who died aboard the Sewol. The story begins with Yun-young retracing the steps that Unnie took in life—revisiting the school she attended, her dormitory, and the cubicle where she tirelessly studied to pass the national exam required to become an educator. At each stop, Yun-young crosses paths with people who knew her sister or who also had a loved one on the Sewol. Shifting back and forth between the present day and memories of Unnie, the narration has a dreamlike quality that heightens its sense of bittersweet nostalgia. Along the way, the author slowly reveals the timeline of events immediately prior to, during, and after the disaster. In one notable scene, months after the ferry’s sinking, Unnie’s suitcase is recovered from the muddy waters, and Yun-young and her family gather in their living room to open it and sift through its contents. Lifting the silt-soaked clothes out, piece by piece, Yun-young’s mother runs to fill a basin with water and stomps the mud out of Mi-na’s possessions, as if to rinse the horror from her daughter’s memory: “Yun-young can hear Mom’s muffled screams as she yells for the dirt to get off, to get off Unnie. The water sloshes for a long time.” The poetic force of the prose enhances the interplay between the past and present, blending them into a familiar, nonlinear pattern of grief.

A remarkably beautiful story of the agony of loss and injustice.