by Yuval Levin ‧ RELEASE DATE: Jan. 21, 2020
A provocative, inspiring look at the underlying cause of our polarization and dysfunction.
The conservative political historian and founding National Affairs editor surveys a nation whose institutions are in crisis.
Continuing a project begun in 2016 with The Fractured Republic, Levin observes that contemporary Americans are “living through a social crisis,” one that manifests in gridlock, bitterness, and “a culture war that seems increasingly to be dividing us into two armed camps angrily confronting each other in every corner and crevice of American life.” It’s not so much that we’ve lost faith in and patience with people who disagree with us, writes the author, but that we’ve witnessed the disintegration of the institutions that sustained us: journalism, which tends to an urban elitism; education, which imposes orthodoxies of political correctness; and government, which has descended into a cesspool of do-nothingism. Even after Richard Nixon left office in disgrace, he observes, more than half of Americans “expressed confidence in the presidency”; the current figure has fallen to a third. As for Congress, only 11% of respondents think it’s doing anything positive—small wonder, Levin writes, since the members of that body “have come to understand themselves most fundamentally as players in a larger cultural ecosystem, the point of which is not legislating or governing but rather a kind of performative outrage for a partisan audience.” It is perhaps to the benefits of the elites—who, Levin writes, used to number different casts of characters: one for education, one for politics, one for media, and the like, but who now largely comprise a single body—that Americans are divided and that institutions are weak. The revival of the pure, original notion of what our institutions are meant to do—the judiciary being a rare but not wholly uncompromised exception—“is essential to the revival of legitimate authority,” the implication being that much present authority is not legitimate, and the charge falls on every citizen to do something about the mess by becoming active in reform.
A provocative, inspiring look at the underlying cause of our polarization and dysfunction.Pub Date: Jan. 21, 2020
ISBN: 978-1-5416-9927-4
Page Count: 256
Publisher: Basic Books
Review Posted Online: Oct. 27, 2019
Kirkus Reviews Issue: Nov. 15, 2019
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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