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ZORA AND LANGSTON

A STORY OF FRIENDSHIP AND BETRAYAL

A fresh look at two important writers of the 1920s.

The tale of a famous literary friendship that ended in bitterness.

Zora Neale Hurston (1891-1960) and Langston Hughes (1901-1967) were major figures of the Harlem Renaissance and, for several years, collaborators and loving friends. Taylor (co-author: Darkest America: Black Minstrelsy from Slavery to Hip-Hop, 2012, etc.), senior editor at the Chicago Review Press, places their friendship at the center of a revealing examination of the alliances, betrayals, rivalries, and aspirations that characterized the African-American literary and arts world in the 1920s and beyond. In 1926, Hurston bestowed the nickname “Niggerati” on the many young writers and artists, “opposed to the literary conventions of the older generation of the black elite,” who gathered in Manhattan for social and literary activities. They were supported—sometimes with publicity, sometimes financially—by admiring white New Yorkers Hurston called “Negrotarians,” including Carl Van Vechten, Hart Crane, Muriel Draper, Max Eastman, Eugene O’Neill, George Gershwin, and H.L. Mencken. Foremost among them was Charlotte Mason, an heiress who inherited her husband’s vast wealth after his death in 1905. Among her passions were parapsychology, psychic healing, and African-Americans and Indians, who she believed were unsullied by “the ills of civilization” and possessed of “primitive creativity and spirituality [that] would energize and renew America.” A major collector of African art, she disdained white culture, declaring herself “eternally black.” In 1927, she decided to become a personal patron to many figures of the Niggerati. She must be called Godmother, she insisted, and demanded nothing less than complete filial devotion in exchange for monthly stipends of $150 (for Hughes) and $200 (for Hurston) to allow them to pursue their work. Mason, Taylor writes, was “a jealous god, controlling and wrathful,” dictating what kind of projects her “children” pursued and, in Hurston’s case, prohibiting her from showing her writing to anyone without Mason’s consent. Drawing on published and archival sources, Taylor creates a perceptive portrait of the bizarre patron and of the Hurston-Hughes friendship.

A fresh look at two important writers of the 1920s.

Pub Date: March 26, 2019

ISBN: 978-0-393-24391-8

Page Count: 304

Publisher: Norton

Review Posted Online: Dec. 8, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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