Through his two scurrilous antiheroes, Aleshkovsky laughs at Russian society from the gutters of the Soviet underworld....
Rescued from the literary underground, these two historical novellas provide a coarse satirical insight into post–World War II Soviet dissatisfaction.
Aleshkovsky emigrated from the Soviet Union in 1979 as an infamous writer of imaginative dissident fiction. Translated into English here for the first time, Nikolai Nikolaevich (1970) and Camouflage (1977) each have a foulmouthed narrator who buttonholes the reader with bizarre stories about his adventures in Soviet society. These fascinating but dated novellas were first officially published in Russian in Ann Arbor, Michigan, in 1980. Prior to that they were distributed as samizdat, part of Russia’s literary underground. The careful footnotes to the narrators' allusions provide an introduction to Soviet pop culture of the 1950s and 1970s. Nikolai Nikolaevich is set in the years around Stalin’s 1953 death. The eponymous Everyman narrator gives up pickpocketing when he is offered a lucrative job masturbating for an official laboratory. Although Nikolaevich’s process is of interest to some on the scientific team, it’s his sperm that is the central concern of Kimza, the chief. Humor comes from the frequent absurd juxtaposition of serious and profane. For example, every morning the laboratory springs to life with Kimza’s bellow: “Attention! Orgasm!” The worlds of science, sex, two-bit criminality, and Communist bureaucracy intertwine and grotesquely collide. Camouflage is, if possible, an even darker novel. In the run up to the 1980 Moscow Olympics, our highly unreliable alcoholic narrator, Fedya Milashkin, portrays the decrepit appearance of Soviet society as a Cold War strategy. Designed to confuse passing CIA satellites, the camouflage brigade of millions distracts the spying Americans from the war preparations hidden belowground.
Through his two scurrilous antiheroes, Aleshkovsky laughs at Russian society from the gutters of the Soviet underworld. Though they read like potty-mouthed Kafka, these stories remain of primarily academic interest.Pub Date: June 11, 2019
ISBN: 978-0-231-18966-8
Page Count: 224
Publisher: Columbia Univ.
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
Absolutely enthralling. Read it.
A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!
Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.
Absolutely enthralling. Read it.Pub Date: April 16, 2019
ISBN: 978-1-984-82217-8
Page Count: 288
Publisher: Hogarth
Review Posted Online: Feb. 17, 2019
Kirkus Reviews Issue: March 1, 2019
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"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.
Pub Date: Oct. 29, 1970
ISBN: 0375411550
Page Count: -
Publisher: Holt Rinehart & Winston
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: Oct. 1, 1970
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