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CHILDREN OF NATIVE AMERICA TODAY

A well thought-out, neatly executed, and extremely attractive volume that strives to fulfill the promise of its title. There are more than 500 Native American cultures: on two-page profiles arranged geographically, the authors focus on about 26 groups from the Haudenosaunee (the Six Iroquois Nations) of New York to the Iñupiat of Alaska. Striking color photos of children in both traditional and contemporary activities adorn each, along with a fact box giving population, communities, and people of note. A map of the US locates them across the country. The authors strive to give their young readers the sense of the struggle to preserve traditional cultures and values alongside a very contemporary life with activities every child will recognize. They do it in a lively style, too, full of rhetorical “did you know?” queries, a sprinkling of exclamation points, and bits about the code talkers and skywalkers. Information is sometimes fascinating, or even touching—state senator Bill Yellowtail asked for his Crow clan’s counsel before he ran for office; Supai, in Arizona, can only get mail via pack-mule train. There’s even a page for Native people living in cities; after all, New York City has the largest Native American population in the country. An invaluable and attractive resource, particularly for younger children. (resources for further study, glossary, index) (Nonfiction. 7-11)

Pub Date: March 1, 2003

ISBN: 1-57091-499-0

Page Count: 64

Publisher: Charlesbridge

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2003

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HOW TÍA LOLA CAME TO (VISIT) STAY

From the Tía Lola Stories series , Vol. 1

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay.

Renowned Latin American writer Alvarez has created another story about cultural identity, but this time the primary character is 11-year-old Miguel Guzmán. 

When Tía Lola arrives to help the family, Miguel and his hermana, Juanita, have just moved from New York City to Vermont with their recently divorced mother. The last thing Miguel wants, as he's trying to fit into a predominantly white community, is a flamboyant aunt who doesn't speak a word of English. Tía Lola, however, knows a language that defies words; she quickly charms and befriends all the neighbors. She can also cook exotic food, dance (anywhere, anytime), plan fun parties, and tell enchanting stories. Eventually, Tía Lola and the children swap English and Spanish ejercicios, but the true lesson is "mutual understanding." Peppered with Spanish words and phrases, Alvarez makes the reader as much a part of the "language" lessons as the characters. This story seamlessly weaves two culturaswhile letting each remain intact, just as Miguel is learning to do with his own life. Like all good stories, this one incorporates a lesson just subtle enough that readers will forget they're being taught, but in the end will understand themselves, and others, a little better, regardless of la lengua nativa—the mother tongue.

Simple, bella, un regalo permenente: simple and beautiful, a gift that will stay. (Fiction. 9-11)

Pub Date: March 1, 2001

ISBN: 0-375-80215-0

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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RIVER STORY

Trickling, bubbling, swirling, rushing, a river flows down from its mountain beginnings, past peaceful country and bustling city on its way to the sea. Hooper (The Drop in My Drink, 1998, etc.) artfully evokes the water’s changing character as it transforms from “milky-cold / rattling-bold” to a wide, slow “sliding past mudflats / looping through marshes” to the end of its journey. Willey, best known for illustrating Geraldine McCaughrean’s spectacular folk-tale collections, contributes finely detailed scenes crafted in shimmering, intricate blues and greens, capturing mountain’s chill, the bucolic serenity of passing pastures, and a sense of mystery in the water’s shadowy depths. Though Hooper refers to “the cans and cartons / and bits of old wood” being swept along, there’s no direct conservation agenda here (for that, see Debby Atwell’s River, 1999), just appreciation for the river’s beauty and being. (Picture book/nonfiction. 7-9)

Pub Date: June 1, 2000

ISBN: 0-7636-0792-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2000

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