Professionals and parents can probably pull a few interesting activities and anecdotes from this book, but the individual...
Ralph Nader, Khalil Gibran and Danny Thomas: What do they have in common?
They are Lebanese-Americans mentioned in this uneven compendium of facts and activities that explores the history of immigrants from the Middle East and North Africa. The title is misleading, as such groups as Chaldeans, Berbers and Sephardic Jews, among others, are included, even though they do not believe that they are Arab. Despite this, exposing American readers to the great religious and cultural diversity of these 16 countries and the Palestinian territories and their immigrants is a worthwhile endeavor. Unfortunately, the craft instructions, games, recipes, dance, language-learning and writing projects vary in the strength of their connection to “Arab” culture. For example, Palestinian-American writer Naomi Shihab Nye is featured, and the related activity focuses on her poem “Every Cat Has a Story,” which is tied to her writing about “everyday events and ordinary events”—not to her writing about the Middle East. “Design a National Safety Month Poster,” strangely, attempts to connect Ralph Nader to the legendary phoenix. The diagrams are useful, and some of the design elements are attractive, but the other illustrations are amateurish.
Professionals and parents can probably pull a few interesting activities and anecdotes from this book, but the individual parts do not add up to a cohesive whole. (resources, bibliography, index [not seen]) (Nonfiction. 8-11)Pub Date: Jan. 1, 2013
ISBN: 978-1-61374-017-0
Page Count: 160
Publisher: Chicago Review Press
Review Posted Online: Nov. 13, 2012
Kirkus Reviews Issue: Dec. 1, 2012
BOOK REVIEW
BOOK REVIEW
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning...
“Picasso was great fun to play with. He liked to romp around on the floor and have pretend bullfights. His tweed jacket was nice and scratchy. He smelled good too. He smelled of cologne and French tobacco.”
To a set of seldom-seen photos taken by his mother, Lee Miller, interspersed with both pictures of roughly hewn toys and playful art created by Picasso and a page of drawings of the titular incident by modern children, Penrose adds appreciative comments and authentically sketchy childhood memories of a renowned family friend. Taken in France and England, the photos offer glimpses of the artist in his studio or posing with young Antony, along with shots of his own children, other friends such as George Braque and artwork done in a characteristic array of media and found materials. Images of colorful works from the author’s personal collection are added as well; the author's little Noah's Ark set appears juxtaposed to a tiny Picasso piece called Mrs. Noah, for instance. The text itself adds playful notes with variations in size and weight, along with occasional wavy lines and is set on solid backgrounds of pale blues, yellows, lilacs and other pastel hues.
Though certainly not a systematic overview of Picasso’s life and career, this intimate, child’s-eye view serves up a winning glimpse of the artist’s personality and unparalleled creative breadth. (glossary, thumbnail bios) (Memoir. 8-10)Pub Date: May 1, 2011
ISBN: 978-0-8109-9728-8
Page Count: 48
Publisher: Abrams
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK TO SCREEN
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