A haunting, surprising, and rebellious collection that contains multitudes.
A mosaic of stories about state- and self-imposed silence and what it means to find your voice.
The 14 stories in Chin’s debut collection are centered around Malaysia: the people, culture, and country. Interconnected (sometimes loosely, sometimes overtly) by characters, the stories also share themes like patriotism, censorship, personhood, and art as protest. In “When Starbucks Came,” a woman contemplates her unfulfilling relationship in the wake of the coffee chain's opening a store in Taiping. In “A Malaysian Man in Mayor Bloomberg’s Silicon Alley,” a young man living in America returns home to vote and struggles with his dueling identities. When asked by the American woman he’s dating for one thing only true Malaysians would know, he replies: “we either think we are the best country in the world, or the worst country in the world.” These stories exist in the gray area in between. Corruption and state violence exist in the same world as forbidden family stories and “rain-betting.”Isabella Sin, who serves as the throughline for the collection, is first introduced in “Though She Gets Home” when she goes to her first protest and is later arrested for writing “inflammatory…pornographic” poems. An unexpected twist slowly revealed over the course of a few stories leads to the final tale, “So She Gets Home,” which sees Isabella home from the “country’s most notorious prison.” In the wake of her detainment, she is trying to navigate the Venn diagram of her identity: how others define her and how she defines herself. The idea of becoming who she is meant to be leaves the sometimes-devastating book on a hopeful note.
A haunting, surprising, and rebellious collection that contains multitudes.Pub Date: April 10, 2018
ISBN: 978-1-93693-216-0
Page Count: 224
Publisher: Feminist Press
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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