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THE GREAT DETECTIVE

Name: THE GREAT DETECTIVE
Author: Zach Dundas
ISBN: 978-0-544-21404-0

THE AMAZING RISE AND IMMORTAL LIFE OF SHERLOCK HOLMES

by Zach Dundas ‧ RELEASE DATE: June 2, 2015

A bright read for Sherlock’s fans.

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A lively look at the enduring detective.

A Sherlock Holmes fan since childhood, Portland Monthly co–executive editor Dundas (The Renegade Sportsman, 2010) embarks on a cheerful romp through the conception, fame, and afterlife of Arthur Conan Doyle’s famous sleuth. The detective story was still in its literary infancy when Conan Doyle invented a character based on one of his medical school professors, “a hawk-nosed, gray-eyed wizard radiating an air of command.” Joseph Bell was a master diagnostician, making deductions from astute observations. “What if a detective did that?” Conan Doyle wondered. Dundas chronicles Holmes’ evolution as Conan Doyle fleshed out his personality and appearance, beginning with A Study in Scarlet (1887). In The Sign of the Four (1890), Holmes emerged as “a magnetic figure, coiled in his armchair, wreathed in smoke: a gray-eyed whipcord of skinny muscle wrapped in a dressing gown.” Watson, too, became deeper. Though “bluff and hearty,” he seemed to harbor “inner pain and loneliness.” Watson’s regard for Holmes, Dundas writes, is “one of literature’s great studies in devotion.” Readers found the Holmes stories irresistible, but by 1893, Conan Doyle was tired of producing them and summarily killed off his hero. Watson was not the only one bereft; readers called the author a brute. Years later, offered substantial money by a periodical, Conan Doyle revived Holmes with a barely believable tale accounting for his survival. Dundas offers attentive readings of Holmes stories; traverses the bleak landscape of The Hound of the Baskervilles (1902); investigates Conan Doyle’s homes, haunts, and obsession with spiritualism; chronicles his visit to the cheesy museum at 221b Baker St. and his meetings with the Baker Street Irregulars, a “mother ship of a small, dedicated subculture of Holmes enthusiasts”; and recounts the work of the actors who have played Holmes, including Basil Rathbone, who felt the role consumed him, and Benedict Cumberbatch.

A bright read for Sherlock’s fans.

Pub Date: June 2, 2015

ISBN: 978-0-544-21404-0

Page Count: 320

Publisher: Houghton Mifflin Harcourt

Review Posted Online: March 1, 2015

Kirkus Reviews Issue: March 15, 2015

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.