by Zack Beauchamp ‧ RELEASE DATE: July 16, 2024
A conscientious peeling away of the false democratic facade of contemporary authoritarianism.
A politically savvy exposé of the recent rise of “a global antidemocratic movement that claims to be acting in democracy’s defense.”
Beauchamp, a senior correspondent for Vox who focuses on right-wing populism, argues that the emergence of competitive authoritarianism, whose proponents hold (rigged) elections and undermine such democratic institutions as a free press and politically independent courts, is a consequence of a perceived need to defend social hierarchies from advances in social equality. This reactionary spirit pits democracy’s equal citizenship against a form of liberalism that embraces individual freedom and xenophobic nationalism. “Democracy, by its nature,” writes the author, “encourages the upending of social hierarchies,” and it’s “always possible for citizens to elect leaders whose policies would challenge the existing social order.” The rise of competitive authoritarianism was precipitated by postwar decolonization, the formation of welfare states, mass migration, and efforts to reduce discrimination against marginalized groups—e.g., Black citizens in the U.S. and the lower castes in India. Beauchamp uses four cases as illustration: the U.S., Hungary, Israel, and India, epitomized, respectively, by Donald Trump, Viktor Orbán, Benjamin Netanyahu, and Narendra Modi. Although Beauchamp suggests American origins for competitive authoritarianism, his evidence is more congruent with it being a global phenomenon similar to the spread of democracy after World War II. As the author writes, it’s possible that “the consensus around the basic principles of liberal democracy in countries like the United States might not be nearly as widely shared” as many think. To counter the reactionary spirit, Beauchamp argues for democratic activism and evidence-based governance, and he thoughtfully presents the history of competitive authoritarianism and defines its major dimensions. As a broad assessment, the author’s approach is more than sufficient in detail and attentiveness to political theory and academic scholarship.
A conscientious peeling away of the false democratic facade of contemporary authoritarianism.Pub Date: July 16, 2024
ISBN: 9781541704411
Page Count: 272
Publisher: PublicAffairs
Review Posted Online: April 30, 2024
Kirkus Reviews Issue: June 1, 2024
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by Bill Maher ‧ RELEASE DATE: May 21, 2024
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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