A stunningly illustrated celebration of heritage that will require some adult guidance.
An unexpected museum trip changes the way a girl sees her past.
Tan-skinned, dark-haired Sakina’s plans for spending the morning at the seashore are dashed by a sandstorm. So she and her mother head to the museum, where the bored Sakina observes several statues: “chubby crocodiles filled with papers,” a “blue jaguar guarding the first set of laws ever written,” and “winged lions.” Back home, she realizes that a tiny crocodile, jaguar, and lion have stowed away in her bag. Sakina chases them through the house, only to stumble upon a picture of her grandmother that she’s never before taken the time to examine. The photograph is just the start of a series of reminders that “thousands and thousands of years” exist both within the magical artifacts and within Sakina. Rendered in a gold and pastel palette, the artwork is sumptuous. While the text is lyrical, at times it feels cryptic; Sakina’s discovery that there are poems written on Crocodile’s papers leads to a sudden appreciation of her heritage, though it’s not clear why. Marwan’s author’s note, which discusses the work of 19th-century archeologists and her own experiences visiting institutions such as the Egyptian Museum in Cairo, fills in some gaps, but adults may need to help young readers parse some of the story’s elements. Though it’s never stated where Sakina lives, the backmatter and the use of Arabic imply a Middle Eastern setting.
A stunningly illustrated celebration of heritage that will require some adult guidance. (Picture book. 3-8)Pub Date: April 29, 2025
ISBN: 9781547613427
Page Count: 40
Publisher: Bloomsbury
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Wins for compassion and for the refusal to let physical limitations hold one back.
With such short arms, how can Tiny T. Rex give a sad friend a hug?
Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.
Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)Pub Date: March 5, 2019
ISBN: 978-1-4521-7033-6
Page Count: 48
Publisher: Chronicle Books
Review Posted Online: Nov. 11, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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