THE SUNFLOWERS

Weary of city life, Vincent van Gogh retreats to the country to paint vibrant images of nature while waiting for fellow artist Paul Gauguin to join him.

“Refined” Paris regards Van Gogh’s cherished sunflower paintings as “inelegant.” After meeting Gauguin, an artist who’s equally committed to vivid hues and floral motifs, Van Gogh departs for the famed “yellow house,” where he’s inspired to paint “brighter and more colorful” art. He waits for Gauguin’s eventual arrival; the book culminates in a lush image of the two friends trekking through a golden Van Gogh–esque wheat field. The narrative contains enough information, explanation, and artistic examples to serve as a satisfying introduction to the painter for younger readers, but, as Marwan makes clear in an affectionate author’s note, the heart of the book is Van Gogh’s waiting and preparing for Gauguin’s arrival. Readers may not be as invested. The relationship between the artists feels underdeveloped, which weakens the anticipation, and the many pages devoted to waiting drag. Within the short, sincere narrative, poignant paragraphs describe colorful canvases. Yet some generic lines of text feel like filler. Marwan’s illustrations, rendered in watercolor, ink, pen, and pencil, are also unbalanced. An image of the two artists ensconced in a color wheel is brilliantly designed, as are bold, sumptuous sunflower homages. Other spreads feel curiously washed out and insubstantial.

An earnest but uneven account of an artist whose talent blossomed like his beloved sunflowers.