A skip.
A young vulture contends with prejudice and learns to embrace his identity.
This story begins in the Jamaican Blue Mountains, where willful Little John Crow (who, despite his name, is a vulture) lives with his parents. His friends (several birds and one snake) are introduced with their names and various descriptors (such as “Hummy, the hummingbird, who loved sweets” and “Chiqueen, a feisty chicken hawk”)—a lot of information for young readers to retain. Rowe’s illustrations present each friend with abundant character, infusing many of these pages with joy. While the younglings discuss what their parents do and what they want to be when they grow up, John realizes he is not aware of his parents’ occupations. After offering to help him find out and then realizing his parents are vultures, his friends flee in fear. The remainder of the story revolves around John’s learning to accept himself and value who he is. Strangely, some characters use slang, but only one speaks in anything close to Jamaican patois. Though the story is commendable in its attempt to destigmatize vultures, it is full of distracting details, arbitrary moments, questionable assertions (“Your friends will accept you for who you are as long as you accept yourself first”), casual fatphobia, and a heavy-handed message that slows the narrative. Even the levity and enjoyment that Rowe’s art brings can’t altogether save the book.
A skip. (note on vultures) (Picture book. 5-8)Pub Date: Nov. 2, 2021
ISBN: 978-1-61775-980-2
Page Count: 64
Publisher: Akashic
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...
Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.
The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.
While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)Pub Date: Oct. 14, 2014
ISBN: 978-1-934133-57-6
Page Count: 32
Publisher: Mackinac Island Press
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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