Steeped in rich imagery and keen insight, Joseph’s poems make for a fascinating journey of faith, family, and culture.
A nostalgic collection of poems and short prose about the author’s Bene Israel upbringing.
In her opening essay, entitled “What’s in My Bones,” Joseph touches upon her childhood in Kolkata, India, within India’s oldest Jewish community, the Bene Israel. Acknowledging influences from British literature, American culture, world folklore, and more, the author sets the stage for the poems and essays to come. Most focus heavily on food, whether with detailed descriptions of the meal itself (“Let us heap the sugar-sprinkled poha / tall as a pyramid, mixed with shredded / coconut, precious dried fruit and nuts, / scented with the most fragrant / of spices…”) or reflections on the dish within its larger cultural context (“Sweet, some said it was, like wafers / and honey. Some said it was eaten / plain. Some that it was baked / on hot desert stones or made / into bread. Or added to bread. / Some said, like needles / of sea salt, it crumbled”). Other poems describe a melding of worlds, such as “Mumbai Goddesses,” in which the author recounts the first time her mother and grandmother introduced the idea of Santa into her childhood home. Joseph occasionally plays with form and spacing, forcing readers’ eyes to dart across the page in poems such as “The Angels of Konkan” and “What Ravens Do." Most poems are fairly short, no more than a page and a half, with the longest, “Leaf Boat,” spanning seven pages. Joseph’s words are simple and straightforward, although readers can peel back layers of meaning upon subsequent reads. The author quietly and expertly imbues even the most basic objects with meaning and efficiently uses plenty of mouthwatering metaphors to straddle both old cultures and new: “Sugar rose-tinted coconut milk thickening / tired arms bated breath silky cubes cooling / do spirits whisper old recipes / in a new land new life new history…” Her various reflections on the past prove to be both beautiful in form and broad in scope.
Steeped in rich imagery and keen insight, Joseph’s poems make for a fascinating journey of faith, family, and culture.Pub Date: Feb. 27, 2024
ISBN: 978-1952781193
Page Count: 66
Publisher: Mayapple Press
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: April 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
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