Part melodrama, part family relationships, as another juvenile author addresses the problems of the children of the flower children. Summer McIntyre, a responsible tenth-grader, hates living on food stamps in a rundown trailer with her irresponsible hippy mother Oriole. She writes frequent unmailed letters to her father, a medical student who drifted through her mother's life the summer before Summer was born, and she is especially concerned about her little half-sister Sparrow, who seems to share their mother's easygoing nature. Now Sparrow's little friend Marina Fisher has been sent away for her asthma, though Sparrow insists that she is still around; the sisters have been barred from the farm of their neighbors, the Fishers; and Oriole has taken up with Angelo, a sinister stranger who's turned up at the Fisher farm—and who shoots the McIntyre dog later on. Gradually Summer learns that the Fishers are growing pot on their farm and that Angelo, a big-time crook and dealer, is holding little Marina hostage there to keep the family in line. By the time Oriole is arrested with the others in a raid on the farm, Summer has already arranged for her and Sparrow to move to Connecticut with a wealthy couple Summer has been doing housework for. But Summer has also been working for another couple, her sympathetic English teacher and his wife, and they help her to see that sending Sparrow may be beneficial but Summer's own loyalties and welfare are at home. There's also a budding romance between Summer and 16-year-old Nicky Fisher, which is pleasant but no more charged with life than the stock characterization of Oriole and Angelo. Still the shady doings on the farm provide the necessary suspense and Summer's troubled but sturdy presence invites empathy.
Pub Date: March 10, 1983
ISBN: 0440201543
Page Count: 208
Publisher: Atheneum
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: March 1, 1983
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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