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SONG OF THE GARGOYLE

In a setting that owes something to feudal Europe but more to pure fantasy, young Tymmon hides, terrified, while his court-jester father, Komus, is brutally kidnapped. Having overheard the mysterious kidnappers' plans to capture him as well, he quickly packs a few necesseities and treasures (his old flute, Komus's jester's cap) and escapes from the castle. Hiding in the dreaded forest nearby, he's adopted by a huge, dog-like creature that he assumes is a gargoyle: though "Troff" doesn't speak, he seems to understand perfectly; in turn, Tymmon easily comprehends Troll's excellent advice. Hungry, they make their way to town, where Tymmon not only learns how the rapacious nobles keep the people in poverty but also discovers the satisfactions of earning his bread with his flute, plus Komus's witty songs and stories. This, plus a chance revelation about his father's tragic past, puts Komus's long-ago renunciation of his nobility (a choice that has lately estranged father and son) in a new light for Tymmon, who—by the time he has rescued his father and straightened out the local political scene—has also come to value his father's art. There are several delights along the way here—especially Tymmon's "conversations" with Troll, who is gradually revealed to be an exceptionally talented dog on whom Tymmon has projected his own ideas. A thoughtful, smoothly written adventure.

Pub Date: April 1, 1991

ISBN: 0-385-30301-7

Page Count: 232

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1991

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IMPOSSIBLE CREATURES

From the Impossible Creatures series , Vol. 1

An epic fantasy with timeless themes and unforgettable characters.

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Two young people save the world and all the magic in it in this series opener.

When tall, dark-haired, white-skinned Christopher Forrester goes to stay with his grandfather in Scotland, he ventures to the top of a forbidden hill and discovers astonishing magical creatures. His grandfather explains that Christopher’s family are guardians of the “way through” to the Archipelago, where the Glimourie Tree grows—the source of glimourie, or the world’s magic. Black-haired, olive-skinned Mal Arvorian, a girl from the Archipelago, is being pursued by a murderer, and she asks Christopher for help, launching them both on a wild, dangerous journey to discover why the glimourie is disappearing and how to stop it. Together with a part-nereid woman, a ratatoska, a dragon, and a Berserker, they face an odyssey of dangerous tasks to find the Immortal, the only one who can reverse the draining of magic. Like Lyra and Will from Philip Pullman’s His Dark Materials, Mal and Christopher sacrifice their innocence for experience, meeting every challenge with depthless courage until they finally reach the maze at the heart of it all. Rundell throws myriad obstacles in her characters’ way, but she gives them tools both tangible (a casapasaran, which always points the way home, and the glamry blade, which cuts through anything) and intangible (the desire “to protect something worth protecting” and an “insistence that the world is worth loving”). Final art not seen.

An epic fantasy with timeless themes and unforgettable characters. (map, bestiary) (Fantasy. 10-16)

Pub Date: Sept. 10, 2024

ISBN: 9780593809860

Page Count: 368

Publisher: Knopf

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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HOW TO CATCH A GINGERBREAD MAN

From the How To Catch… series

A brisk if bland offering for series fans, but cleverer metafictive romps abound.

The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.

Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.

A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)

Pub Date: Aug. 3, 2021

ISBN: 978-1-7282-0935-7

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: July 26, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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