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THE EGYPT GAME

Offbeat kids, in dialogue, ingenious pretense and attendant complications—all the elements for ten, eleven-year-old enjoyment, and then a problem: a criminally insane killer of children. April, an insecure sophisticate, and Melanie, a sensible Negro girl of compatible imagination, transform a deserted back yard into the land of Egypt, and themselves into votaries of ancient rites. The Egypt Game is not only "a terrific game," but also "a life unknown to grown-ups and lived by kids alone." At its height, the wanton murder of a child occurs in the vicinity, and the adults refuse to let the children out to play. But. surveillance relaxes eventually, the ceremonies resume (with new recruits), and on a late night visit to the lot, April is attacked—something grabs her out of the darkness, fingers close on her mouth and throat. She is saved by the shouts of an elderly antique dealer who had been a suspect; the assailant is identified and sent to an institution. The danger to April and the subsequently revealed life story of the antique dealer motivate the solution of most of everybody's family problems, and Melanie and April (much humanized) plan further imaginative adventures. The heterogeneous composition of a university community in California contributes to the subtle (sometimes suspicious, ultimately enriching) relationships among the children, and their Egyptian absorption is all too real. But objections remain: the antique dealer is the stock suspect-turned-sympathetic-sage, and the demented killer is both tangential to the plot and a questionable component in a book for this age. As Melanie says, this is "the kind of thing parents tell their children when they're alone together." Because the episode is handled with restraint, We can only question, not condemn; the decision is yours.

Pub Date: March 21, 1967

ISBN: 1416990518

Page Count: 241

Publisher: Atheneum

Review Posted Online: May 9, 2012

Kirkus Reviews Issue: March 1, 1967

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CARPENTER'S HELPER

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.

A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.

Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)

Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)

Pub Date: March 16, 2021

ISBN: 978-0-593-12320-1

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: Jan. 12, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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