by Zilpha Keatley Snyder ‧ RELEASE DATE: Oct. 19, 1979
The Stanley family we all remember from Snyder's highly successful The Headless Cupid (1971) gets a year in Italy when stepmother Molly's expatriate uncle leaves her money that has to be spent there. Molly's 13-year-old daughter Amanda, just a little better adjusted to the new family arrangement than she was in her poltergeist days, continues to brag about her rich father; and as a result all five children are kidnapped though the culprits had only bargained for Amanda. She is despondent, sure that her father won't bother to rescue her, and the others are fearful that he won't be able to come up with the million-dollar ransom. When they hear that he is in Italy but can't raise the million, David, the oldest Stanley, is really worried, but Amanda, with this evidence of her father's concern, comes to life. Much of the story takes place in the kids' basement prison, where seven-year-old, bilingual Janle (the family genius) interprets for the masked kidnappers, guesses their identity, and—with a view to being so cute their captors can't possibly kill them—gets up a hilarious performance with herself acting out Juliet's death scene and the four-year-old twins following with the Mickey Mouse Club song. For their part David and Amanda stage a miracle, which does have the kidnappers wondering; but in the end it's Janie who saves them all. A lively, likable family adventure, a bit slow to hit its stride and not as ingenious as The Headless Cupid, but still crackling with the Stanley family's distinctive charm and energy.
Pub Date: Oct. 19, 1979
ISBN: 0440424852
Page Count: 228
Publisher: Atheneum
Review Posted Online: May 9, 2012
Kirkus Reviews Issue: Oct. 1, 1979
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by Josh Schneider & illustrated by Josh Schneider ‧ RELEASE DATE: May 1, 2011
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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by Josh Schneider ; illustrated by Josh Schneider
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by Josh Schneider ; illustrated by Josh Schneider
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by Josh Schneider ; illustrated by Josh Schneider
by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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adapted by Hannah Eliot ; illustrated by Nivea Ortiz
by Chloe Perkins ; illustrated by Dinara Mirtalipova
by Chloe Perkins ; illustrated by Archana Sreenivasan
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