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THE BELIEVERS

Tom Wolfe might once have had vicious fun with such material, but this novel lacks the edge to make it sharper than soap...

This sociopolitical comedy of manners concerning a radical lawyer in a coma is beyond the novelist’s satiric command.

The main problem with the latest from the British Heller (What Was She Thinking? Notes on a Scandal, 2003, etc.) is that it lacks focus. It could have focused on Joel Litvinoff, a famous activist attorney described by those who despise him as a “rent-a-radical with a long history of un-Americanism,” but he’s unconscious in his hospital bed for the bulk of the book. It wants to focus on his wife Audrey, like the novelist a British-born transplant to New York, whom the older Joel seduces in London when she is 18 and who remains married to him for 40 years. The problem is that Audrey is the least compelling character, with little explanation as to how she has become such a doctrinaire radical harridan (much more rigid than her husband), a “champagne socialist” hypocrite and unloving mother to her two daughters. Maybe Karla and Rosa, the daughters estranged from each other, could have provided the focus. The former is a heavy, good-hearted woman who must choose between her loveless marriage and an improbable affair. The latter is more attractive and resents the superficiality of her beauty; she is an extremist in everything she does, having returned from four years in Cuba to embrace, or at least investigate, the Judaism her parents long ago rejected (and which runs counter to her own feminism). Unfortunately, their stories only connect at the bedside of their comatose father, a center that cannot hold. Adopted son Lenny, from an even more radical family, mainly provides comic relief as his mother’s marijuana supplier, until he cleans up. What promises to propel the narrative is Joel’s deep secret, revealed while he is unconscious, but even that seems on the periphery, before its unlikely resolution provides something of a climax.

Tom Wolfe might once have had vicious fun with such material, but this novel lacks the edge to make it sharper than soap opera.

Pub Date: March 3, 2009

ISBN: 978-0-06-143020-6

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2008

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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