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CANDLE, FEATHER, WOODEN SPOON

NEW JEWISH STORIES

Lovely and entertaining folklore and parables that can proudly stand beside others in their tradition.

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Klein presents a collection of original Jewish parables for all ages, told in the tradition of rabbinic legends and folktales.

In “Yofiel,” one of the author’s contemporary rabbinic legends, archangels armed with colorful sticky notes flutter about and assign tasks among their brethren, ranging from stoking the Burning Bush to reminding geese which way to fly. Yofiel is an enthusiastic yet incompetent angel, not even to be trusted with a blade of grass, who nonetheless becomes the indispensable keeper of the Torah’s secrets. In “Jew,” a homeless man wipes away at the antisemitic graffiti with which a young boy has defaced the wall of a family-run shop; the swirls of his rag send the perpetrator and his classmate (who works there) into a world of glowing shields and laser rain, a living video game depicting crimes against Jews throughout the ages by Haman and the Nazis. In the title tale, another young boy sets off on a fantastical quest facing a giant and sea dragon— the only tools he will need to succeed are the modest hallmarks of Passover: a candle, a feather, and wooden spoon. The parables in this collection were inspired by the Torah, kabbalistic studies, and other Jewish teachings. The stories are short, yet deep and descriptive, with varied settings that span contemporary times, the forests and villages of European folklore, and the time of the Hebrew Bible. Approachable for adults yet told with children in mind, each story is full of wide-eyed curiosity and earnestness, along with comedy, light scares, and lessons on compassion, empathy, and acceptance of the marginalized or derided. Young minds may wonder, “How was Jonah’s journey for the whale?” or “What did children see during the Exodus?” These questions are enthusiastically explored, and each entry ends with simple yet insightful queries for the reader as well. Though primarily aimed at a Jewish audience, the book contains a small, helpful glossary of terms, and Klein’s approachable style and enthusiasm for storytelling will appeal to readers from all backgrounds.

Lovely and entertaining folklore and parables that can proudly stand beside others in their tradition.

Pub Date: May 1, 2023

ISBN: 9780881233568

Page Count: 240

Publisher: Central Conference of American Rabbis Press

Review Posted Online: April 18, 2023

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THE AWKWARD BLACK MAN

The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.

A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.

In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.

The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.

Pub Date: Sept. 15, 2020

ISBN: 978-0-8021-4956-5

Page Count: 336

Publisher: Grove

Review Posted Online: Sept. 1, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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