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SHADOWS ON THE MOON

A dark yet very fresh fairy-tale reinvention.

"Cinderella" is reimagined as a revenge story set in an alternate feudal Japan.

On the day Suzume turns 14, her family is destroyed. Soldiers arrive to slaughter her father, falsely accused of treason, and all his line. Suzume somehow escapes, and with the aid of Youta, a mysterious "cinderman," manages to evade the soldiers until her mother returns from traveling, along with her father's best friend, Terayama. Terayama takes mother and daughter under his protection by marrying Suzume's mother, assuming the wicked-stepfather role. As Suzume learns more about her parents' involvement with Terayama, she discovers reasons to hate and fear him. Marriott (The Swan Kingdom, 2009, etc.) writes wonderful villains, who fulfill fairy-tale roles while maintaining a balance between despicable and understandable. Suzume's blooming desire for revenge and the need to conceal herself to stay alive are aided by her emerging magical powers as a "shadow weaver," training in the craft of illusion under Youta. Shadow weavers are rare to the point of mythological except to other shadow weavers, who are conveniently drawn to help each other in times of need. The emotionally damaged, self-harming Suzume needs all the help she can get in her constant illusion-driven reinventions aimed at self-preservation and avenging her family. Strong characters and motivations abound in a rich fantasy world.

A dark yet very fresh fairy-tale reinvention. (QR code to digitally access poetry written by characters) (Fantasy. 14 & up)

Pub Date: April 1, 2012

ISBN: 978-0-7636-5344-6

Page Count: 464

Publisher: Candlewick

Review Posted Online: Feb. 28, 2012

Kirkus Reviews Issue: March 15, 2012

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WHERE THE LIBRARY HIDES

From the Secrets of the Nile series , Vol. 2

A thrilling, beautifully written page-turner.

A young woman pursues a dangerous quest in late-1800s Egypt in this sequel to What the River Knows (2023).

After Inez Olivera was nearly murdered while assisting with her uncle’s archaeological expedition in Egypt, Tío Ricardo is eager to ship her home to safety in Argentina. But Inez burns with the need to stay and make sure that those who committed crimes against her family are held responsible. Unfortunately, the law precludes Inez, as a young unmarried woman, from accessing her inheritance (needed to fund her quest for justice) without her guardian uncle’s permission. Whitford Hayes, a former British soldier and her tío’s aide-de-camp, proposes marriage, which could solve her problems. But can Inez trust the secretive Whit? More danger and intrigue lurk at every turn in this exciting duology closer, which fully addresses the first entry’s jaw-dropping cliffhanger. The well-paced plot encompasses many fresh, new adventures and betrayals in this reimagined historical setting in which ancient magic abounds and not everyone or everything is what it seems. Even more captivating, however, is the complicated, nuanced love story between Whit and Inez. Their chemistry sizzles, but their relationship is achingly layered with both profound loyalty and deep deception. As their journey unearths new enemies and priceless archaeological finds, the duo must try to trust each other enough to survive.

A thrilling, beautifully written page-turner. (cast of characters, map, timeline) (Historical fantasy. 14-18)

Pub Date: Nov. 5, 2024

ISBN: 9781250822994

Page Count: 400

Publisher: Wednesday Books

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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