Ignore the literary and philosophical pretensions and hang on for the ride.
An intricately plotted but thematically belabored German thriller.
The narrative momentum accelerates into a page-turning climax, one that makes it tough to distinguish the good from the bad guys and to keep the shifting identities straight, but the elaborate setup requires a suspension of credibility. The novel introduces four characters who were friends in high school, where they all had ambitious hopes for the future, but each is somewhat adrift a decade later. Kris has just lost his journalist’s job, Tamara has relinquished custody of her daughter, Wolf has seen a whirlwind romance turn tragic with his lover’s overdose death and Frauke has become estranged from her mother, who is committed to a mental institution. Kris and Wolf are brothers; Tamara and Frauke are best friends. There is also some romantic complication between the men and the women. Fortune strikes after they team to form an agency called Sorry, which—and here’s the part that strains credulity—becomes an instant success by offering to make apologies for people who don’t want to do it themselves. Some sort of amends—financial or otherwise—occasionally accompany the apologies, and the central conceit allows the author to meditate on the implications of guilt, atonement, redemption and responsibility. There are other characters, including one introduced on the first page as “You,” who commits a brutal crime in which the agency becomes involved and just may be responsible. “You” are morally ambiguous, perhaps the devil incarnate, perhaps an avenging angel, and though you are given a name as the narrative proceeds, it may not be your real name. Whoever you are depends significantly on the identity of a character generally referenced as “The Man Who Wasn’t There,” who complicates the proceedings in a manner unknown to the agency but increasingly evident to the reader. “You have an agency that apologizes, but there’s lots that you can’t forgive yourselves,” explains the character more often known as “You” to the most reluctant member of the agency’s quartet.
Ignore the literary and philosophical pretensions and hang on for the ride.Pub Date: Sept. 22, 2011
ISBN: 978-0-307-27355-0
Page Count: 352
Publisher: Knopf
Review Posted Online: Aug. 1, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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