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ADA'S RULES

A SEXY SKINNY NOVEL

Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.

A feisty middle-aged black woman sheds 70 pounds and rekindles the flame with her preacher husband.

Approaching her 25th college reunion, 220-pound Ada Howard decides to get out of her 3X sweats and work towards that stretchy size-10 black dress at Target. It’s not just that she wants to look good at the reunion for foxy old flame Matt Manson, who appends a handwritten message (“Honey Babe. It’s been too long.”) to the invitation. And it’s not just that her preacher husband, Lucius, might very well be cheating on her. (He’s lost weight, bought a new car and is never home.) Getting slim and healthy is a political issue for Ada. Her three older sisters died of diabetes before they turned 60, and every day at KidPlay, the day care center she runs in Nashville, she sees a parade of oversized African-American women feeding their children the same fattening junk food they eat themselves. So Ada embarks on a program of exercise and diet based on the list of 53 rules that opens this self-help manual delivered in a fictional format. For the most part, the rules are nothing you couldn’t find in an actual diet book—though probably not “Get better hair down there,” which forecasts the earthy humor with which Randall (Rebel Yell, 2009, etc.) in subsequent pages chronicles Ada’s journey toward size 10 and a revitalized marriage. When Ada visits the four congregants she suspects of being her husband’s bit on the side, instead of confessions, she hears a litany of the sexual tributes to his wife that Preach recited when invited to adultery. His highly improbable confidences are typical of the novel’s relentlessly positive tone; Randall’s emphasis on black pride and self-respect, while understandable, makes for predictable fiction. A quick aside about a betrayal by Ada’s best friend Delila strikes the only note of adult complexity in a book dedicated to simple cheerleading.

Well-intentioned and readable, but very broadly drawn and often gratingly rah-rah.

Pub Date: May 1, 2012

ISBN: 978-1-60819-827-6

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: April 17, 2012

Kirkus Reviews Issue: May 1, 2012

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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