Though more radical narrative strategies aren’t represented, the selection is of such consistently high quality that almost...
Among the 20 competitors in what novelist Patchett (Bel Canto, 2001, etc.) terms “the short story Olympics,” there are plenty of worthy contenders for the gold medal.
As usual, this annual anthology mixes stories from perennial favorites (including former guest editors Tobias Wolff and Ann Beattie, and the obligatory and always welcome Alice Munro) with selections from small-circulation literary journals, highlighting the range of possibility within the genre. Where a short-story collection by a single author tends to repeat patterns, rhythms and themes, there’s a much greater sense of serendipity and surprise here. Whether because of the luck of this year’s draw or the preferences of the guest editor, the narratives are typically more straightforward than experimental, frequently first person, strong on the storytelling verities of plot, character and dialogue. Many of them (including Donna Tartt’s “The Ambush,” Maxine Swann’s “Secret” and Benjamin Percy’s “Refresh, Refresh”) concern adolescent initiation and rites of passage. Though all of the writers are North American, the settings extend from a Korean island resort (Paul Yoon’s “Once the Shore”) and dog racing in Beijing (Jack Livings’s “The Dog”) to the Bosnian poetry community (Aleksandar Hemon’s “The Conductor”) and an American’s return to his family’s native Latvia (“A New Gravestone for an Old Grave”). Many of the stories tend toward the short side, but the last and longest is the most wickedly funny, as Beattie lampoons the bi-coastal memorial services of an esteemed painter turned alcoholic, pornographic comics illustrator. The shortest and strangest is Robert Coover’s “Grandmother’s Nose,” in which a young girl (in another rite of passage) comes to terms with death in a fairy-tale subversion of “Little Red Riding Hood.” In one of the most inventive, Katherine Bell’s “The Casual Car Pool” finds a sky-diving parachutist caught on a bridge, disrupting rush hour and complicating the lives of three strangers sharing a ride to qualify for the car-pool lane.
Though more radical narrative strategies aren’t represented, the selection is of such consistently high quality that almost any of these stories could be some reader’s favorite.Pub Date: Oct. 11, 2006
ISBN: 0-618-54351-1
Page Count: 416
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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