Readers who aren’t put off by the Hollywood pacing, with action set pieces less like Conan Doyle than the Robert Downey Jr....
A Sherlockian pastiche without Holmes and Watson? Yes indeed, and it’s a tour de force quite unlike any other fruit from these densely plowed fields.
It is 1891. Holmes and professor James Moriarty are both presumed dead after hurtling over Reichenbach Falls, though the only body that’s been recovered is thought to be that of a chef at the Englischer Hof. The Pinkerton Detective Agency has sent operative Frederick Chase to England to investigate rumors that Clarence Devereux, fresh from his triumphantly lucrative scheme to manipulate stock prices by sending false information over Western Union wires, has come to join Moriarty in an Anglo-American criminal empire—and, finding the Napoleon of crime deceased, has stayed to become his successor. Joining forces with DI Athelney Jones, whose admiration of Holmes is just this side of idolatry, Chase tries to trace the agoraphobic Devereux through his lieutenants Edgar and Leland Mortlake and safecracker Scotchy Lavelle. The only results of their search are a series of violent reprisals, and when they finally catch up with Devereux at a function hosted by American legate (and president’s son) Robert Todd Lincoln, he turns the tables on them with insolent ease, leaving them both scurrying to hang on to their jobs. Since Jones talks and acts just like Holmes and Chase is every bit as enterprising as Dr. Watson, they seem likely to run their quarry to earth, with pauses along the way for lightning deductions and a drastically compressed sequel to “The Red-Headed League.” But canny Sherlock-ian Horowitz (The House of Silk, 2011, etc.) still has more tricks up his sleeve.
Readers who aren’t put off by the Hollywood pacing, with action set pieces less like Conan Doyle than the Robert Downey Jr. movies, are in for a rare treat, a mystery as original as it is enthralling.Pub Date: Dec. 9, 2014
ISBN: 978-0-06-237718-0
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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