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MADE IN AMERICA

Name: MADE IN AMERICA
Author: Bill Bryson
ISBN: 0380713810

AN INFORMAL HISTORY OF THE ENGLISH LANGUAGE IN THE UNITED STATES

by Bill Bryson ‧ RELEASE DATE: March 1, 1995

If, as the old saw has it, England and America are two countries divided by a common language, here's some disarming help...

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Ex-patriate journalist Bryson (Neither Here Nor There, 1992, etc.) skims the history and present condition of American English.

The text is an entertaining compendium of possible and less possible word origins. Does "okay'' come from Martin Van Buren's nickname, Old Kinderhook? Or from the fact that Andrew Jackson was reported to write "oll korrect''? Or is it from the Greek ollakalla (all good)? Bryson offers a cogent discussion of sexism in the language, and there's a lot of orthography, etymology, and toponymy. But this isn't just a book about language. It's also a bestiary of American pop culture, many of whose stereotypes Bryson debunks (a back-formation from Buncombe County, N.C., of course): Ellis Island, in its original splendor, wasn't half bad; the Puritans enjoyed a good time just like the rest of us; and Ray Kroc hadn't the inventiveness of the Brothers MacDonald, after all. Bryson tells us a lot we surely never thought about. There's the cost of sending a letter by Postal Express and the reason for the bump on the fuselage of the Boeing 747. "Debugging'' of computers began, we are told, on the day 50 years ago when a moth entered a Navy computer. There are, however, some facts that aren't facts. Bryson places the Polish-born British writer Joseph Conrad among the group of Americans whose names were changed from awkward foreignness. And, surprisingly for a lexicographer, he indulges in the popular confusion of the 18th-century "long s'' and the modern "f.'' This offering won't replace the popular works by Flexner, much less the majestic Mencken, but the style is engaging and the narrative diverting. An index is appended, but there is no useful list of words and phrases.

If, as the old saw has it, England and America are two countries divided by a common language, here's some disarming help sent by a Yank from the other side of the pond.

Pub Date: March 1, 1995

ISBN: 0380713810

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1995

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE BODY
by Bill Bryson

- BOOK REVIEW
THE ROAD TO LITTLE DRIBBLING
by Bill Bryson

- BOOK REVIEW
ONE SUMMER
by Bill Bryson

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.